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第13章

a daughter of eve-第13章

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To consummate corruption; Florine added a lively wit; which

intercourse with artists had developed and practice sharpened day by

day。 Wit is thought to be a quality rare in comedians。 It is so

natural to suppose that persons who spend their lives in showing

things on the outside have nothing within。 But if we reflect on the

small number of actors and actresses who live in each century; and

also on how many dramatic authors and fascinating women this

population has supplied relatively to its numbers; it is allowable to

refute that opinion; which rests; and apparently will rest forever; on

a criticism made against dramatic artists;namely; that their

personal sentiments are destroyed by the plastic presentation of

passions; whereas; in fact; they put into their art only their gifts

of mind; memory; and imagination。 Great artists are beings who; to

quote Napoleon; can cut off at will the connection which Nature has

put between the senses and thought。 Moliere and Talma; in their old

age; were more in love than ordinary men in all their lives。



Accustomed to listen to journalists; who guess at most things; putting

two and two together; to writers; who foresee and tell all that they

see; accustomed also to the ways of certain political personages; who

watched one another in her house; and profited by all admissions;

Florine presented in her own person a mixture of devil and angel;

which made her peculiarly fitted to receive these roues。 They

delighted in her cool self…possession; her anomalies of mind and heart

entertained them prodigiously。 Her house; enriched by gallant

tributes; displayed the exaggerated magnificence of women who; caring

little about the cost of things; care only for the things themselves;

and give them the value of their own caprices;women who will break a

fan or a smelling…bottle fit for queens in a moment of passion; and

scream with rage if a servant breaks a ten…franc saucer from which

their poodle drinks。



Florine's dining…room; filled with her most distinguished offerings;

will give a fair idea of this pell…mell of regal and fantastic luxury。

Throughout; even on the ceilings; it was panelled in oak; picked out;

here and there; by dead…gold lines。 These panels were framed in relief

with figures of children playing with fantastic animals; among which

the light danced and floated; touching here a sketch by Bixiou; that

maker of caricatures; there the cast of an angel holding a vessel of

holy water (presented by Francois Souchet); farther on a coquettish

painting of Joseph Bridau; a gloomy picture of a Spanish alchemist by

Hippolyte Schinner; an autograph of Lord Byron to Lady Caroline Lamb;

framed in carved ebony; while; hanging opposite as a species of

pendant; was a letter from Napoleon to Josephine。 All these things

were placed about without the slightest symmetry; but with almost

imperceptible art。 On the chimney…piece; of exquisitely carved oak;

there was nothing except a strange; evidently Florentine; ivory

statuette attributed to Michael Angelo; representing Pan discovering a

woman under the skin of a young shepherd; the original of which is in

the royal palace of Vienna。 On either side were candelabra of

Renaissance design。 A clock; by Boule; on a tortoise…shell stand;

inlaid with brass; sparkled in the centre of one panel between two

statuettes; undoubtedly obtained from the demolition of some abbey。 In

the corners of the room; on pedestals; were lamps of royal

magnificence; as to which a manufacturer had made strong remonstrance

against adapting his lamps to Japanese vases。 On a marvellous

sideboard was displayed a service of silver plate; the gift of an

English lord; also porcelains in high relief; in short; the luxury of

an actress who has no other property than her furniture。



The bedroom; all in violet; was a dream that Florine had indulged from

her debut; the chief features of which were curtains of violet velvet

lined with white silk; and looped over tulle; a ceiling of white

cashmere with violet satin rays; an ermine carpet beside the bed; in

the bed; the curtains of which resembled a lily turned upside down was

a lantern by which to read the newspaper plaudits or criticisms before

they appeared in the morning。 A yellow salon; its effect heightened by

trimmings of the color of Florentine bronze; was in harmony with the

rest of these magnificences; a further description of which would make

our pages resemble the posters of an auction sale。 To find comparisons

for all these fine things; it would be necessary to go to a certain

house that was almost next door; belonging to a Rothschild。



Sophie Grignault; surnamed Florine by a form of baptism common in

theatres; had made her first appearances; in spite of her beauty; on

very inferior boards。 Her success and her money she owed to Raoul

Nathan。 This association of their two fates; usual enough in the

dramatic and literary world; did no harm to Raoul; who kept up the

outward conventions of a man of the world。 Moreover; Florine's actual

means were precarious; her revenues came from her salary and her

leaves of absence; and barely sufficed for her dress and her household

expenses。 Nathan gave her certain perquisites which he managed to levy

as critic on several of the new enterprises of industrial art。 But

although he was always gallant and protecting towards her; that

protection had nothing regular or solid about it。



This uncertainty; and this life on a bough; as it were; did not alarm

Florine; she believed in her talent; and she believed in her beauty。

Her robust faith was somewhat comical to those who heard her staking

her future upon it; when remonstrances were made to her。



〃I can have income enough when I please;〃 she was wont to say; 〃I have

invested fifty francs on the Grand…livre。〃



No one could ever understand how it happened that Florine; handsome as

she was; had remained in obscurity for seven years; but the fact is;

Florine was enrolled as a supernumerary at thirteen years of age; and

made her debut two years later at an obscure boulevard theatre。 At

fifteen; neither beauty nor talent exist; a woman is simply all

promise。



She was now twenty…eight;the age at which the beauties of a French

woman are in their glory。 Painters particularly admired the lustre of

her white shoulders; tinted with olive tones about the nape of the

neck; and wonderfully firm and polished; so that the light shimmered

over them as it does on watered silk。 When she turned her head; superb

folds formed about her neck; the admiration of sculptors。 She carried

on this triumphant neck the small head of a Roman empress; the

delicate; round; and self…willed head of Pompeia; with features of

elegant correctness; and the smooth forehead of a woman who drives all

care away and all reflection; who yields easily; but is capable of

balking like a mule; and incapable at such times of listening to

reason。 That forehead; turned; as it were; with one cut of the chisel;

brought out the beauty of the golden hair; which was raised in front;

after the Roman fashion; in two equal masses; and twisted up behind

the head to prolong the line of the neck; and enhance that whiteness

by its beautiful color。 Black and delicate eyebrows; drawn by a

Chinese brush; encircled the soft eyelids; which were threaded with

rosy fibres。 The pupils of the eyes; extremely bright; though striped

with brown rays; gave to her glance the cruel fixity of a beast of

prey; and betrayed the cold maliciousness of the courtesan。 The eyes

were gray; fringed with black lashes;a charming contrast; which made

their expression of calm and contemplative voluptuousness the more

observable; the circle round the eyes showed marks of fatigue; but the

artistic manner in which she could turn her eyeballs; right and left;

or up and down; to observe; or seem to mediate; the way in which she

could hold them fixed; casting out their vivid fire without moving her

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