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the colour of life(伏凋岻弼)-及10嫗

弌傍�� the colour of life(伏凋岻弼) 忖方�� 耽匈4000忖

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were foot to foot。 

     And next morning you saw by the papers that the secondary�察�but still 

renowned�察  �actor�察  �had   succeeded   in   sharing   the   principal   honours   of   the 

piece。     So    uncommonly   well        had   he   done�察  �even    for  him。    Then     you 

understood   that�察  �though   you   had   not   known   it�察  �the   tragedian   must   have 

been   beaten   in   that   dialogue。     He   had   suffered   himself   in   an   instant   of 

weakness�察�to be stimulated�察�he had for a moment ´ only a moment ´ got on。 

     That night was influential。           We   may see its results everywhere�察 �and 

especially in Shakespeare。           Our tragic stage was always ´ well�察�different�察�



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let us say ´ different from the tragic stage of Italy and France。                   It is now 

quite   unlike�察  �and   frankly   so。     The   spoilt   tradition   of   vitality   has   been 

explicitly abandoned。          The interrupted one waits�察�no longer with a roving 

eye�察  �but   with   something   almost   of   dignity�察  �as   though   he   were   fulfilling 

ritual。 

     Benvolio and Mercutio outlag one another in hunting after the leaping 

Romeo。       They call without the slightest impetus。              One can imagine how 

the true Mercutio called   ´ certainly not by  rote。              There must have been 

pauses indeed�察�brief and short´breath'd pauses of listening for an answer�察�

between every nickname。             But the nicknames were quick work。                  At the 

Lyceum       they    were    quite   an   effort   of  memory�此      �Romeo�        �Humours� �

Madman�         �Passion�      �Lover� ─�

     The actress of Juliet�察�speaking the words of haste�察�makes her audience 

wait    to  hear    them。    Nothing      more    incongruous       than   Juliet's   harry   of 

phrase   and   the   actress's   leisure   of   phrasing。     None   act�察  �none   speak�察  �as 

though there were such a thing as impulse in a play。 To drop behind is the 

only idea of arriving。         The nurse ceases to be absurd�察�for there is no one 

readier   with   a   reply   than   she。   Or�察  �rather�察  �her   delays   are   so   altered   by 

exaggeration as to lose touch with Nature。               If it is ill enough to hear haste 

drawled out�察�it is ill�察�too�察�to hear slowness out´tarried。               The true nurse of 

Shakespeare lags with her news because her ignorant wits are easily astray�察�

as   lightly  caught   as   though   they   were   light�察  �which   they  are   not�察  �but   the 

nurse of the stage is never simply astray�此�she knows beforehand how long 

she means to be�察�and never�察�never forgets what kind of race is the race she 

is riding。     The Juliet of the stage seems to consider that there is plenty of 

time for her to discover which is slain ´ Tybalt or her husband�察�she is sure 

to know some time�察�it can wait。 

     A  London   success�察  �when   you   know   where   it   lies�察  �is   not   difficult   to 

achieve。      Of all things that can be gained by men or women about their 

business�察  �there   is   one   thing   that   can   be   gained   without   fear   of   failure。 

This     is  time。    To     gain   time    requires    so   little  wit   that�察  �except    for 

competition�察�every one could be first at the game。 In fact�察�time gains itself。 

The   actor   is   really   not   called   upon   to   do   anything。    There   is   nothing�察�

accordingly�察  �for   which   our   actors   and   actresses   do   not   rely   upon   time。 



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For humour even�察�when the humour occurs in tragedy�察�they appeal to time。 

They give blanks to their audiences to be filled up。 

     It might be possible to have tragedies written from beginning to end 

for the service of the present kind of ;art。;              But the tragedies we have are 

not so written。       And being what they are�察�it is not vivacity that they lose 

by     this   length    of    pause�察   �this   length     of   phrasing�察     �this   illimitable 

tiresomeness�察�it is life itself。        For the life of a scene conceived directly is 

its   directness�察  �the   life   of   a   scene   created   simply   is   its   simplicity。 And 

simplicity�察  �directness�察  �impetus�察  �emotion�察  �nature   fall   out   of   the   trailing�察�

loose�察�long dialogue�察�like fish from the loose meshes of a net ´ they fall out�察�

they drift off�察�they are lost。 

     The universal slowness�察�moreover�察�is not good for metre。                      Even when 

an   actress   speaks   her   lines   as   lines�察  �and   does   not   drop   into   prose   by 

slipping   here   and   there   a   syllable�察  �she   spoils   the   tempo   by   inordinate 

length   of   pronunciation。         Verse   cannot   keep   upon   the   wing   without   a 

certain measure in the movement of the pinion。                  Verse is a flight。 



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                                        GRASS 



     Now and then�察�at regular intervals of the summer�察�the Suburb springs 

for a time from its mediocrity�察�but an inattentive eye might not see why�察�or 

might not seize the cause of the bloom and of the new look of humility 

and dignity that makes the Road�察�the Rise�察�and the Villas seem suddenly 

gentle�察�gay and rather shy。 

     It   is   no   change   in   the   gardens。 These   are�察  �as   usual�察  �full�察  �abundant�察�

fragrant�察�and   quite  uninteresting�察 �keeping the  traditional secret   by  which 

the suburban   rose�察 �magnolia�察  �clematis�察 �and   all   other   flowers   grow  dull   ´ 

not in colour�察�but in spirit ´ between the yellow brick house´front and the 

iron   railings。    Nor   is   there   anything   altered   for   the  better   in   the   houses 

themselves。 

     Nevertheless�察�the   little�察 �common�察 �prosperous road�察 �has bloomed�察 �you 

cannot tell how。        It is unexpectedly liberal�察�fresh�察�and innocent。 The soft 

garden´winds that rustle its shrubs are�察�for the moment�察�genuine。 

     Another  day  and   all   is   undone。      The   Rise is   its   daily  self   again   ´   a 

road   of   flowers   and   foliage   that   is   less   pleasant   than   a   fairly   well´built 

street。     And     if  you    happen     to   find   the   men    at   work    on    the  re´ 

transformation�察      �you   become      aware    of  the   accident    that  made    all  this 

difference。      It   lay   in   the   little   border   of   wayside   grass   which   a   row   of 

public servants ´ men with spades and a cart ´ are in the act of tidying up。 

Their way of tidying it up is to lay its little corpse all along the suburban 

roadside�察�and then to carry it away to some parochial dust´heap。 

     But   for   the   vigilance   of   Vestries�察  �grass   would   reconcile   everything。 

When the first heat of the summer was over�察�a few nights of rain altered all 

the colour of the world。          It had been the brown and russet of drought ´ 

very beautiful in landscape�察�but lifeless�察�it became a translucent�察�profound�察�

and eager green。        The citizen does not spend attention on it。 

     Why�察    �then�察  �is  his   vestry    so  alert�察  �so  apprehensive�察      �so  swift�察  �in 

perception      so  instant�察  �in  execution     so  prompt�察    �so  silent   in  action�察  �so 

punctual   in   destruction�拭      �The   vestry   keeps�察  �as   it   were�察  �a   tryst   with   the 

grass。    The ;sunny spots of greenery; are given just time enough to grow 



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and be conspicuous�察�and the barrow is there�察�true to tim

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