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the colour of life(伏凋岻弼)-及15嫗

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tyrannously�察  �all   the   life   of  human   action。   Attitude   and   motion   disturb 

perpetually�察�with infinite incidents ´ inequalities of work�察�war�察�and pastime�察�

inequalities     of  sleep   ´  the  symmetry   of     man。    Only   in    death   and   ;at 



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attention;   is   that   symmetry   complete   in   attitude。        Nevertheless�察  �it   rules 

the dance and the battle�察�and its rhythm is not to be destroyed。                        All the 

more because this hand holds the goad and that the harrow�察�this the shield 

and that the sword�察�because this hand rocks the cradle and that caresses the 

unequal heads of children�察�is this rhythm the law�察�and grace and strength 

are    inflections     thereof。     All    human      movement        is  a   variation    upon 

symmetry�察 �and   without   symmetry  it   would   not   be variation�察  �it   would   be 

lawless�察�fortuitous�察�and as dull and broadcast as lawless art。                   The order of 

inflection that is not infraction has been explained in a most authoritative 

sentence of   criticism  of literature�察 �a   sentence   that should   save the   world 

the trouble of some of its futile�察�violent�察�and weak experiments�此 �Law�察�the 

rectitude of humanity�察─�says Mr Coventry Patmore�察 �should be the poet's 

only subject�察�as�察�from time immemorial�察�it has been the subject of true art�察�

though many a true artist has done the Muse's will and knew it not。                          As 

all the music of verse arises�察�not from infraction but from inflection of the 

law of the set metre�察�so the greatest poets have been those the MODULUS 

of    whose     verse   has    been    most    variously     and   delicately    inflected�察   �in 

correspondence   with   feelings   and   passions   which   are   the   inflections   of 

moral   law   in   their   theme。     Law   puts   a   strain   upon   feeling�察  �and   feeling 

responds   with   a   strain   upon   law。      Furthermore�察  �Aristotle   says   that   the 

quality of poetic language is a continual SLIGHT novelty。                      In the highest 

poetry�察    �like  that   of  Milton�察   �these    three   modes     of   inflection�察  �metrical�察�

linguistical�察�and   moral�察�all   chime together   in  praise of   the truer   order of 

life。; 

     And   like   that   order   is   the   order   of   the   figure   of   man�察  �an   order   most 

beautiful   and   most   secure   when   it   is   put   to   the   proof。   That   perpetual 

proof by perpetual inflection is the very condition of life。                  Symmetry is a 

profound�察�if disregarded because perpetually inflected�察�condition of human 

life。 

     The nimble art of Japan is unessential�察�it may come and go�察�may settle 

or be fanned away。          It has life and it is not without law�察�it has an obvious 

life�察�and a less obvious law。          But with Greece abides the obvious law and 

the less obvious life�此�symmetry as apparent as the symmetry of the form of 

man�察  �and   life   occult   like   his   unequal   heart。    And   this   seems   to   be   the 



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nobler and the more perdurable relation。 



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        THE ILLUSION OF HISTORIC 

                                     TIME 



    He     who    has   survived    his   childhood     intelligently   must    become 

conscious of something more than a change in his sense of the present and 

in his apprehension of the future。         He must be aware of no less a thing 

than the destruction of the past。       Its events and empires stand where they 

did�察�and the mere relation of time is as it was。          But that which has fallen 

together�察�has fallen in�察�has fallen close�察�and lies in a little heap�察�is the past 

itself ´ time ´ the fact of antiquity。 

    He has grown into a smaller world as he has grown older。                 There are 

no more extremities。        Recorded time has no more terrors。            The unit   of 

measure   which   he   holds   in   his   hand   has   become   in   his   eyes   a   thing   of 

paltry length。     The discovery draws in the annals of mankind。               He had 

thought them to be wide。 

    For   a   man   has   nothing   whereby   to   order   and   place   the   floods�察  �the 

states�察�the conquests�察�and the temples of the past�察�except only the measure 

which he holds。      Call that measure a space of ten years。 His first ten years 

had given him  the   illusion   of   a most   august   scale   and   measure。   It   was 

then that he conceived Antiquity。         But now�      �Is it to a decade of ten such 

little years as these now in his hand ´ ten of his mature years ´ that men 

give the dignity of a century�拭       �They call it an age�察�but what if life shows 

now so small that the word age has lost its gravity�拭�

     In fact�察�when a child begins to know that there is a past�察�he has a most 

noble rod to measure it by ´ he has his own ten years。               He attributes an 

overwhelming   majesty   to   all   recorded   time。    He   confers   distance。    He�察�

and he alone�察�bestows mystery。          Remoteness is his。 He creates more than 

mortal   centuries。    He   sends   armies   fighting   into   the   extremities   of   the 

past。   He assigns the Parthenon to a hill of ages�察�and the temples of Upper 

Egypt to sidereal time。 

     If  there  were    no  child�察 �there   would    be  nothing    old。  He�察   �having 

conceived old time�察�communicates a remembrance at least of the mystery 



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to the mind of the man。         The man perceives at last all the illusion�察�but he 

cannot forget what was his conviction when he was a child。                  He had once 

a persuasion of Antiquity。         And this is not for nothing。          The enormous 

undeception that comes upon him still leaves spaces in his mind。 

     But    the  undeception     is  rude   work。    The     man    receives   successive 

shocks。     It is as though one strained level eyes towards the horizon�察�and 

then were bidden to shorten his sight and to close his search within a poor 

half   acre   before   his  face。   Now�察    �it  is  that  he  suddenly   perceives     the 

hitherto remote�察�remote youth of his own parents to have been something 

familiarly near�察�so measured by his new standard�察�again�察�it is the coming 

of Attila that is displaced。 Those ten last years of his have corrected the 

world。     There needs no other rod than that ten years' rod to chastise all 

the imaginations of the spirit of man。          It makes history skip。 

     To have lived through any appreciable part of any century is to hold 

thenceforth     a  mere    century    cheap    enough。    But�察   �it  may   be   said�察 �the 

mystery     of   change    remains。    Nay�察   �it  does   not。   Change      that  trudges 

through our own world ´ our contemporary world ´ is not very mysterious。 

We perceive its pace�察�it is a jog´trot。          Even so�察�we now consider�察�jolted 

the changes of the past�察�with the same hurry。 

     The   man�察  �therefore�察  �who   has intelligently  ceased to be   a   child   scans 

through a shortened avenue the reaches of the past。                He marvels that he 

was   so   deceived。     For   it   was   a   very   deception。 If   the   Argonauts�察  �for 

instance�察�had been children�察�it would have been well enough for the child 

to   measure     their  remoteness     and   their  acts  with   his   own   magnificent 

measure。      But they were only men and demi

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