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the colour of life(伏凋岻弼)-及3嫗

弌傍�� the colour of life(伏凋岻弼) 忖方�� 耽匈4000忖

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!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




who loved the dead closely�察�this is�察�for a time�察�impossible。               To them death 

becomes�察  �for   a   year�察  �disproportionate。      Their   dreams   are   fixed   upon   it 

night   by   night。   They   have�察  �in   those   dreams�察  �to   find   the   dead   in   some 

labyrinth�察�they have to mourn his dying and to welcome his recovery in 

such a mingling of distress and of always incredulous happiness as is not 

known even to dreams save in that first year of separation。                  But they are 

not biographers。 

     If death is the privacy of the woods�察�it is the more conspicuously secret 

because      it  is  their  only   privacy。     You     may    watch    or   may    surprise 

everything   else。      The   nest   is   retired�察  �not   hidden。  The   chase   goes   on 

everywhere。       It is wonderful how the perpetual chase seems to cause no 



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perpetual fear。      The songs are all audible。         Life is undefended�察�careless�察�

nimble and noisy。 

     It is a happy thing that minor artists have ceased�察�or almost ceased�察�to 

paint dead birds。       Time was when they did it continually in that British 

School of water´colour art�察�stippled�察�of which surrounding nations�察�it was 

agreed�察�were envious。         They must have killed their bird to paint him�察�for 

he is not to be caught dead。        A bird is more easily caught alive than dead。 

     A  poet�察  �on   the   contrary�察  �is   easily   ´   too   easily   ´   caught   dead。   Minor 

artists now seldom stipple the bird on its back�察�but a good sculptor and a 

University     together    modelled     their  Shelley    on   his  back�察  �unessentially 

drowned�察�and everybody may read about the sick mind of Dante Rossetti。 



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                                     CLOUD 



     During a part of the year London does not see the clouds。               Not to see 

the clear sky might seem her chief loss�察�but that is shared by the rest of 

England�察�and is�察�besides�察�but a slight privation。          Not to see the clear sky is�察�

elsewhere�察�to see the cloud。         But not so in London。          You may go for a 

week or two at a time�察�even though you hold your head up as you walk�察�

and even though you have windows that really open�察�and yet you shall see 

no cloud�察�or but a single edge�察�the fragment of a form。 

     Guillotine windows never wholly open�察�but are filled with a doubled 

glass towards the sky when you open them towards the street。                  They are�察�

therefore�察�a sure sign that for all the years when no other windows were 

used in   London�察 �nobody  there cared   much   for   the sky�察 �or   even   knew  so 

much as whether there were a sky。 

     But the privation of cloud is indeed a graver loss than the world knows。 

Terrestrial scenery is much�察�but it is not all。         Men go in search of it�察�but 

the celestial scenery journeys to them。           It goes its way round the world。 

It has no nation�察�it costs no weariness�察�it knows no bonds。             The terrestrial 

scenery  ´   the   tourist's   ´   is   a   prisoner   compared   with   this。 The   tourist's 

scenery   moves   indeed�察  �but   only   like   Wordsworth's   maiden�察  �with   earth's 

diurnal course�察�it is made as fast as its own graves。           And for its changes it 

depends upon the mobility of the skies。             The mere green flushing of its 

own sap makes only the least of its varieties�察�for the greater it must wait 

upon the visits of the light。      Spring and autumn are inconsiderable events 

in a landscape compared with the shadows of a cloud。 

     The cloud controls the light�察�and the mountains on earth appear or fade 

according   to   its   passage�察  �they   wear   so   simply�察  �from   head   to   foot�察  �the 

luminous grey or the emphatic purple�察�as the cloud permits�察�that their own 

local colour and their own local season are lost and cease�察�effaced before 

the all´important mood of the cloud。 

     The sea has no mood except that of the sky and of its winds。               It is the 

cloud that�察�holding the sun's rays in a sheaf as a giant holds a handful of 

spears�察   �strikes  the   horizon�察  �touches    the  extreme    edge   with   a  delicate 



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revelation of light�察�or suddenly puts it out and makes the foreground shine。 

     Every one knows the manifest work of the cloud when it descends and 

partakes   in   the   landscape   obviously�察  �lies   half´way   across   the   mountain 

slope�察�stoops to rain heavily upon the lake�察�and blots out part of the view 

by the rough method of standing in front of it。 But its greatest things are 

done from its own place�察�aloft。          Thence does it distribute the sun。 

     Thence does it lock away between the hills and valleys more mysteries 

than a poet conceals�察�but�察�like him�察�not by interception。 Thence it writes 

out and cancels all the tracery of Monte Rosa�察�or lets the pencils of the sun 

renew them。        Thence�察�hiding nothing�察�and yet making dark�察�it sheds deep 

colour upon the forest land of Sussex�察�so that�察�seen from the hills�察�all the 

country is divided between grave blue and graver sunlight。 

     And   all this   is   but   its   influence�察 �its   secondary  work   upon the   world。 

Its own beauty is unaltered when it has no earthly beauty to improve。                       It 

is always great�此�above the street�察�above the suburbs�察�above the gas´works 

and   the   stucco�察  �above   the   faces   of   painted   white   houses   ´   the   painted 

surfaces that have been devised as the only things able to vulgarise light�察�

as   they   catch   it   and   reflect   it   grotesquely   from   their   importunate   gloss。 

This is to be well seen on a sunny evening in Regent Street。 

     Even here the cloud is not so victorious as when it towers above some 

little landscape of rather paltry interest ´ a conventional river heavy with 

water�察  �gardens   with   their   little   evergreens�察  �walks�察  �and   shrubberies�察  �and 

thick trees impervious to the light�察�touched�察�as the novelists always have it�察�

with ;autumn tints。;         High over these rises�察�in the enormous scale of the 

scenery   of   clouds�察  �what   no   man   expected   ´   an   heroic   sky。    Few   of   the 

things that were ever done upon earth are great enough to be done under 

such a heaven。        It was surely designed for other days。              It is for an epic 

world。      Your    eyes    sweep    a  thousand     miles    of  cloud。    What     are   the 

distances   of   earth   to   these�察  �and   what   are   the   distances   of   the   clear   and 

cloudless sky�拭�The very horizons of the landscape are near�察�for the round 

world     dips    so   soon�察  �and    the   distances     of  the   mere    clear    sky   are 

unmeasured ´ you rest upon nothing until you come to a star�察�and the star 

itself is immeasurable。 

     But in the sky of ;sunny Alps; of clouds the sight goes farther�察�with 



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conscious flight�察�than it could ever have journeyed otherwise。 Man would 

not    have    known      distance     veritably    without     the   clouds。    There     are 

mountains   indeed�察  �precipices   and   deeps�察  �to   which   those   of   the   earth   are 

pigmy。      Yet   the   sky´heights�察  �being   so   far   off�察  �are   not   overpowering   by 

disproportion�察  �like   some   futile   building   fatuously   made   too   big   for   the 

human measure。          The cloud in its majestic place composes with a little 

Perugino

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