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第26章

the hunchback of notre dame-第26章

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se。 My father was hung by the Burgundians; and my mother disembowelled by the Picards; at the siege of Paris; twenty years ago。  At six years of age; therefore; I was an orphan; without a sole to my foot except the pavements of Paris。  I do not know how I passed the interval from six to sixteen。  A fruit dealer gave me a plum here; a baker flung me a crust there; in the evening I got myself taken up by the watch; who threw me into prison; and there I found a bundle of straw。  All this did not prevent my growing up and growing thin; as you see。 In the winter I warmed myself in the sun; under the porch of the H?tel de Sens; and I thought it very ridiculous that the fire on Saint John's Day was reserved for the dog days。  At sixteen; I wished to choose a calling。  I tried all in succession。 I became a soldier; but I was not brave enough。  I became a monk; but I was not sufficiently devout; and then I'm a bad hand at drinking。  In despair; I became an apprentice of the woodcutters; but I was not strong enough; I had more of an inclination to become a schoolmaster; 'tis true that I did not know how to read; but that's no reason。  I perceived at the end of a certain time; that I lacked something in every direction; and seeing that I was good for nothing; of my own free will I became a poet and rhymester。  That is a trade which one can always adopt when one is a vagabond; and it's better than stealing; as some young brigands of my acquaintance advised me to do。  One day I met by luck; Dom Claude Frollo; the reverend archdeacon of Notre…Dame。  He took an interest in me; and it is to him that I to…day owe it that I am a veritable man of letters; who knows Latin from the ~de Officiis~ of Cicero to the mortuology of the Celestine Fathers; and a barbarian neither in scholastics; nor in politics; nor in rhythmics; that sophism of sophisms。  I am the author of the Mystery which was presented to…day with great triumph and a great concourse of populace; in the grand hall of the Palais de Justice。 I have also made a book which will contain six hundred pages; on the wonderful comet of 1465; which sent one man mad。  I have enjoyed still other successes。  Being somewhat of an artillery carpenter; I lent a hand to Jean Mangue's great bombard; which burst; as you know; on the day when it was tested; on the Pont de Charenton; and killed four and twenty curious spectators。  You see that I am not a bad match in marriage。  I know a great many sorts of very engaging tricks; which I will teach your goat; for example; to mimic the Bishop of Paris; that cursed Pharisee whose mill wheels splash passers…by the whole length of the Pont aux Meuniers。 And then my mystery will bring me in a great deal of coined money; if they will only pay me。  And finally; I am at your orders; I and my wits; and my science and my letters; ready to live with you; damsel; as it shall please you; chastely or joyously; husband and wife; if you see fit; brother and sister; if you think that better。〃

Gringoire ceased; awaiting the effect of his harangue on the young girl。  Her eyes were fixed on the ground。

〃'Phoebus;'〃 she said in a low voice。  Then; turning towards the poet; 〃'Phoebus';what does that mean?〃

Gringoire; without exactly understanding what the connection could be between his address and this question; was not sorry to display his erudition。  Assuming an air of importance; he replied;

〃It is a Latin word which means 'sun。'〃

〃Sun!〃 she repeated。

〃It is the name of a handsome archer; who was a god;〃 added Gringoire。

〃A god!〃 repeated the gypsy; and there was something pensive and passionate in her tone。

At that moment; one of her bracelets became unfastened and fell。  Gringoire stooped quickly to pick it up; when he straightened up; the young girl and the goat had disappeared。 He heard the sound of a bolt。  It was a little door; communicating; no doubt; with a neighboring cell; which was being fastened on the outside。

〃Has she left me a bed; at least?〃 said our philosopher。

He made the tour of his cell。  There was no piece of furniture adapted to sleeping purposes; except a tolerably long wooden coffer; and its cover was carved; to boot; which afforded Gringoire; when he stretched himself out upon it; a sensation somewhat similar to that which Micromégas would feel if he were to lie down on the Alps。

〃Come!〃 said he; adjusting himself as well as possible; 〃I must resign myself。  But here's a strange nuptial night。  'Tis a pity。  There was something innocent and antediluvian about that broken crock; which quite pleased me。〃





BOOK THIRD。






CHAPTER I。

NOTRE…DAME。



The church of Notre…Dame de Paris is still no doubt; a majestic and sublime edifice。  But; beautiful as it has been preserved in growing old; it is difficult not to sigh; not to wax indignant; before the numberless degradations and mutilations which time and men have both caused the venerable monument to suffer; without respect for Charlemagne; who laid its first stone; or for Philip Augustus; who laid the last。

On the face of this aged queen of our cathedrals; by the side of a wrinkle; one always finds a scar。  ~Tempus edax; homo edacior*~; which I should be glad to translate thus: time is blind; man is stupid。


*  Time is a devourer; man; more so。


If we had leisure to examine with the reader; one by one; the diverse traces of destruction imprinted upon the old church; time's share would be the least; the share of men the most; especially the men of art; since there have been individuals who assumed the title of architects during the last two centuries。

And; in the first place; to cite only a few leading examples; there certainly are few finer architectural pages than this fa?ade; where; successively and at once; the three portals hollowed out in an arch; the broidered and dentated cordon of the eight and twenty royal niches; the immense central rose window; flanked by its two lateral windows; like a priest by his deacon and subdeacon; the frail and lofty gallery of trefoil arcades; which supports a heavy platform above its fine; slender columns; and lastly; the two black and massive towers with their slate penthouses; harmonious parts of a magnificent whole; superposed in five gigantic stories;develop themselves before the eye; in a mass and without confusion; with their innumerable details of statuary; carving; and sculpture; joined powerfully to the tranquil grandeur of the whole; a vast symphony in stone; so to speak; the colossal work of one man and one people; all together one and complex; like the Iliads and the Romanceros; whose sister it is; prodigious product of the grouping together of all the forces of an epoch; where; upon each stone; one sees the fancy of the workman disciplined by the genius of the artist start forth in a hundred fashions; a sort of human creation; in a word; powerful and fecund as the divine creation of which it seems to have stolen the double character;variety; eternity。

And what we here say of the fa?ade must be said of the entire church; and what we say of the cathedral church of Paris; must be said of all the churches of Christendom in the Middle Ages。  All things are in place in that art; self…created; logical; and well proportioned。  To measure the great toe of the foot is to measure the giant。

Let us return to the fa?ade of Notre…Dame; as it still appears to us; when we go piously to admire the grave and puissant cathedral; which inspires terror; so its chronicles assert: ~quoe mole sua terrorem incutit spectantibus~。

Three important things are to…day lacking in that fa?ade: in the first place; the staircase of eleven steps which formerly raised it above the soil; next; the lower series of statues which occupied the niches of the three portals; and lastly the upper series; of the twenty…eight most ancient kings of France; which garnished the gallery of the first story; beginning with Childebert; and ending with Phillip Augustus; holding in his hand 〃the imperial apple。〃

Time has caused the staircase to disappear; by raising the soil of the city with a slow and irresistible progress; but; while thus causing the eleven steps which added to the majestic height of the edifice; to be devoured; one 

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