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                                THE SKETCH BOOK

                               WESTMINSTER ABBEY

                              by Washington Irving



           When I behold; with deep astonishment;

           To famous Westminster how there resorte

           Living in brasse or stoney monument;

           The princes and the worthies of all sorte;

           Doe not I see reformde nobilitie;

           Without contempt; or pride; or ostentation;

           And looke upon offenselesse majesty;

           Naked of pomp or earthly domination?

           And how a play…game of a painted stone

           Contents the quiet now and silent sprites;

           Whome all the world which late they stood upon

           Could not content or quench their appetites。

             Life is a frost of cold felicitie;

             And death the thaw of all our vanitie。



                            CHRISTOLERO'S EPIGRAMS; BY T。 B。 1598。



  ON ONE of those sober and rather melancholy days; in the latter part

of Autumn; when the shadows of morning and evening almost mingle

together; and throw a gloom over the decline of the year; I passed

several hours in rambling about Westminster Abbey。 There was something

congenial to the season in the mournful magnificence of the old

pile; and; as I passed its threshold; seemed like stepping back into

the regions of antiquity; and losing myself among the shades of former

ages。

  I entered from the inner court of Westminster School; through a

long; low; vaulted passage; that had an almost subterranean look;

being dimly lighted in one part by circular perforations in the

massive walls。 Through this dark avenue I had a distant view of the

cloisters; with the figure of an old verger; in his black gown; moving

along their shadowy vaults; and seeming like a spectre from one of the

neighboring tombs。 The approach to the abbey through these gloomy

monastic remains prepares the mind for its solemn contemplation。 The

cloisters still retain something of the quiet and seclusion of

former days。 The gray walls are discolored by damps; and crumbling

with age; a coat of hoary moss has gathered over the inscriptions of

the mural monuments; and obscured the death's heads; and other

funereal emblems。 The sharp touches of the chisel are gone from the

rich tracery of the arches; the roses which adorned the key…stones

have lost their leafy beauty; every thing bears marks of the gradual

dilapidations of time; which yet has something touching and pleasing

in its very decay。

  The sun was pouring down a yellow autumnal ray into the square of

the cloisters; beaming upon a scanty plot of grass in the centre;

and lighting up an angle of the vaulted passage with a kind of dusky

splendor。 From between the arcades; the eye glanced up to a bit of

blue sky or a passing cloud; and beheld the sun…gilt pinnacles of

the abbey towering into the azure heaven。

  As I paced the cloisters; sometimes contemplating this mingled

picture of glory and decay; and sometimes endeavoring to decipher

the inscriptions on the tombstones; which formed the pavement

beneath my feet; my eye was attracted to three figures; rudely

carved in relief; but nearly worn away by the footsteps of many

generations。 They were the effigies of three of the early abbots;

the epitaphs were entirely effaced; the names alone remained; having

no doubt been renewed in later times。 (Vitalis Abbas。 1082; and

Gislebertus Crispinus。 Abbas。 1114; and Laurentius。 Abbas。 1176。) I

remained some little while; musing over these casual relics of

antiquity; thus left like wrecks upon this distant shore of time;

telling no tale but that such beings had been; and had perished;

teaching no moral but the futility of that pride which hopes still

to exact homage in its ashes; and to live in an inscription。 A

little longer; and even these faint records will be obliterated; and

the monument will cease to be a memorial。 Whilst I was yet looking

down upon these grave…stones; I was roused by the sound of the abbey

clock; reverberating from buttress to buttress; and echoing among

the cloisters。 It is almost startling to hear this warning of departed

time sounding among the tombs; and telling the lapse of the hour;

which; like a billow; has rolled us onward towards the grave。 I

pursued my walk to an arched door opening to the interior of the

abbey。 On entering here; the magnitude of the building breaks fully

upon the mind; contrasted with the vaults of the cloisters。 The eyes

gaze with wonder at clustered columns of gigantic dimensions; with

arches springing from them to such an amazing height; and man

wandering about their bases; shrunk into insignificance in

comparison with his own handiwork。 The spaciousness and gloom of

this vast edifice produce a profound and mysterious awe。 We step

cautiously and softly about; as if fearful of disturbing the

hallowed silence of the tomb; while every footfall whispers along

the walls; and chatters among the sepulchres; making us more

sensible of the quiet we have interrupted。

  It seems as if the awful nature of the place presses down upon the

soul; and hushes the beholder into noiseless reverence。 We feel that

we are surrounded by the congregated bones of the great men of past

times; who have filled history with their deeds; and the earth with

their renown。

  And yet it almost provokes a smile at the vanity of human

ambition; to see how they are crowded together and jostled in the

dust; what parsimony is observed in doling out a scanty nook; a gloomy

corner; a little portion of earth; to those; whom; when alive;

kingdoms could not satisfy; and how many shapes; and forms; and

artifices; are devised to catch the casual notice of the passenger;

and save from forgetfulness; for a few short years; a name which

once aspired to occupy ages of the world's thought and admiration。

  I passed some time in Poet's Corner; which occupies an end of one of

the transepts or cross aisles of the abbey。 The monuments are

generally simple; for the lives of literary men afford no striking

themes for the sculptor。 Shakespeare and Addison have statues

erected to their memories; but the greater part have busts;

medallions; and sometimes mere inscriptions。 Notwithstanding the

simplicity of these memorials; I have always observed that the

visitors to the abbey remained longest about them。 A kinder and fonder

feeling takes place of that cold curiosity or vague admiration with

which they gaze on the splendid monuments of the great and the heroic。

They linger about these as about the tombs of friends and

companions; for indeed there is something of companionship between the

author and the reader。 Other men are known to posterity only through

the medium of history; which is continually growing faint and obscure:

but the intercourse between the author and his fellow…men is ever new;

active; and immediate。 He has lived for them more than for himself; he

has sacrificed surrounding enjoyments; and shut himself up from the

delights of social life; that he might the more intimately commune

with distant minds and distant ages。 Well may the world cherish his

renown; for it has been purchased; not by deeds of violence and blood;

but by the diligent dispensation of pleasure。 Well may posterity be

grateful to his memory; for he has left it an inheritance; not of

empty names and sounding actions; but whole treasures of wisdom;

bright gems of thought; and golden veins of language。

  From Poet's Corner I continued my stroll towards that part of the

abbey which contains the sepulchres of the kings。 I wandered among

what once were chapels; but which are now occupied by the tombs and

monuments of the great。 At every turn I met with some illustrious

name; or the cognizance of some powerful house renowned in history。 As

the eye darts into these dusky chambers of death; it catches

glimpses of quaint effigies; some kneeling in niches; as if in

devotion; others stretched upon the tombs; with hands piously

pressed together: warriors in armor; as if reposing after battle;

pr

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