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the spirit of place and other essays(仇圭議娼舞吉)-及10嫗

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violence of the rich。 

     It  is  the  merry    beggar    who    has   so  lamentably      disappeared。     If   a 

beggar is still merry anywhere�察�he hides away what it would so cheer and 

comfort     us   to  see�察 �he   practises   not  merely    the   conventional     seeming�察�

which is hardly intended to convince�察�but a more subtle and dramatic kind 

of semblance�察�of no good influence upon the morals of the road。                      He no 

longer trusts the world with a sight of his gaiety。 He is not a wholehearted 



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mendicant�察�and no longer keeps that liberty of unstable balance whereby 

an unattached creature can go in a new direction with a new wind。                          The 

merry beggar was the only adventurer free to yield to the lighter touches 

of chance�察�the touches that a habit of resistance has made imperceptible to 

the seated and stable social world。 

     The   visible   flitting    figure   of  the   unfettered     madman      sprinkled     our 

literature with mad songs�察�and even one or two poets of to´day have�察�by 

tradition�察   �written    them�察   �but   that   wild    source    of  inspiration     has   been 

stopped�察     �it  has   been    built  over�察   �lapped    and    locked�察   �imprisoned�察     �led 

underground。        The light melancholy and the wind´blown joys of the song 

of   the   distraught�察  �which   the   poets   were   once   ingenious   to   capture�察  �have 

ceased to sound one note of liberty in the world's ears。                  But it seems that 

the grosser and saner freedom of the happy beggar is still the subject of a 

Spanish song。 

     That song is gay�察�not defiant it is not an outlaw's or a robber's�察�it is not 

a song of violence or fear。           It is the random trolling note of a man who 

owes   his   liberty   to   no   disorder�察  �failure�察  �or   ill´   fortune�察  �but   takes   it   by 

choice   from   the   voluntary   world�察  �enjoys   it   at   the   hand   of   unreluctant 

charity�察  �who   twits   the   world   with   its   own   choice   of   bonds�察  �but   has   not 

broken his own by force。            It seems�察�therefore�察�the song of an indomitable 

liberty of movement�察�light enough for the puffs of a zephyr chance。 



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          THE LADIES OF THE IDYLL 



     Little Primrose dames of the English classic�察�the wife and daughters of 

the Vicar of Wakefield have no claim whatever to this name of lady。                      It is 

given to them in this page because Goldsmith himself gave it to them in 

the yet undepreciated state of the word�察�and for the better reason that he 

obviously intended them to be the equals of the men to whom he marries 

them�察�those men being�察�with all their faults�察�gentlemen。                  Goldsmith�察�in a 

word�察�meant them  to be ladies�察 �of country breeding�察�but certainly fit   for 

membership of that large class of various fortune within which the name 

makes a sufficient equality。 

     He�察  �their   author�察  �thought   them   sufficient。      Having   amused   himself 

ingeniously throughout the story with their nameless vulgarities�察�he finally 

hurries   them   into   so   much   sentiment   as   may   excuse   the   convention   of 

heroes   in   love。   He   plays   with   their   coarseness   like   a   perfectly   pleased 

and clever showman�察�and then piously and happily shuts up his couples 

the   gentle   Dr。   Primrose   with   his   abominable   Deborah�察  �the   excellent   Mr。 

Burchell with the paltry Sophia�察�Olivia but no�察�Olivia is not so certainly 

happy ever   after�察  �she   has   a   captured husband ready  for   her   in   a   state   of 

ignominy�察      �but   she    has   also   a   forgotten    farmer     somewhere       in   the 

backgroundthe   unhappy   man   whom�察  �with   her   father's   permission�察  �this 

sorry heroine had promised to marry in order that his wooing might pluck 

forward the lagging suit of the squire。 

     Olivia�察�then�察�plays her common trick upon the harmless Williams�察�her 

father conniving�察�with a provision that he urges with some demonstration 

of virtue�此    �she shall consent to make the farmer happy if the proposal of 

the   squire   be   not   after   all   forthcoming。  But   it   is   so   evident   her   author 

knew no better�察�that this matter may pass。 It involves a point of honour�察�of 

which   no   oneneither   the   maker   of   the   book   nor   anyone   he   madeis 

aware。      What is better worth considering is the fact that Goldsmith was 

completely aware of the unredeemed vulgarity of the ladies of the Idyll�察�

and   cheerfully   took   it   for   granted   as   the   thing   to   be   expected   from   the 

mother´in´law   of   a   country   gentleman   and   the   daughters   of   a   scholar。 



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The education of women had sunk into a degradation never reached before�察�

inasmuch as it was degraded in relation to that of men。                    It would matter 

little   indeed   that   Mrs。   Primrose   ;could   read   any   English   book   without 

much      spelling;    if  her  husband      and   son   were    as  definitely    limited    to 

journeyman's   field´labour   as   she   was   to   the  pickling   and   the  gooseberry 

wine。     Any of those industries is a better and more liberal business than 

unselect reading�察�for instance�察�or than unselect writing。                 Therefore let me 

not be misunderstood to complain too indiscriminately of that century or 

of an unlettered state。 What is really unhandsome is the new�察�slovenly�察�and 

corrupt inequality whereinto the century had fallen。 

     That   the   mother   of   daughters   and   sons   should   be   fatuous�察  �a   village 

worldling�察 �suspicious�察  �ambitious�察  �ill´bred�察 �ignorant�察  �gross�察  �insolent�察  �foul´ 

mouthed�察      �pushing�察     �importunate�察     �and    a   fool�察  �seems     natural�察   �almost 

innocently natural�察�in Goldsmith's story�察�the squalid Mrs。 Primrose is all 

this。    He is still able�察�through his Vicar�察�in the most charmingly humorous 

passage      in  the   book�察   �to  praise   her   for   her  ;prudence�察     �economy�察     �and 

obedience。;       Her other�察�more disgusting�察�characteristics give her husband 

an   occasion   for   rebuking   her   as   ;Woman� ─        �This   is   done�察  �for   example�察�

when�察�despite her obedience�察�she refuses to receive that unlucky schemer�察�

her own daughter�察�returned in ruins�察�without insulting her by the sallies of 

a kitchen sarcasm。 

     She   plots   with   her  daughters   the   most   disastrous   fortune   hunt。       She 

has given them a teaching so effectual that the Vicar has no fear lest the 

paltry Sophia should lose her heart to the good�察�the sensible Burchell�察�who 

had saved her life�察�for he has no fortune。 Mrs。 Primrose begins grotesquely�察�

with her tedious histories of the dishes at dinner�察�and she ends upon the 

last page�察�anxious�察�amid the general happiness�察�in regard to securing the 

head   of   the   table。   Upon   these   feminine   humours   the   author   sheds   his 

Vicar's indulgent smile。         What a smile for a self´respecting husband to be 

pricked     to   smile�    �A   householder       would     wince�察   �one   would     think�察  �at 

having opportunity to bestow its tolerance upon his cook。 

     Between   these   two   housewifely   appearances�察  �Mrs。   Primrose   potters 

through the book�察�plotsalways squalidly�察�talks the worst kinds of folly�察�

takes the lead�察�with a loud laugh�察�in insulting a former friend�察�crushes her 



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