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the spirit of place and other essays(仇圭議娼舞吉)-及14嫗

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flight of single things�察�and the simple movement of intricate points。 

     The long stroke of the raindrop�察�which is the drop and its path at once�察�

being our impression of a shower�察�shows us how certainly our impression 

is the effect of the lagging�察�and not of the haste�察�of our senses。                  What we 

are apt to call our quick impression is rather our sensibly tardy�察�unprepared�察�

surprised�察  �outrun�察  �lightly   bewildered   sense   of   things   that   flash   and   fall�察�

wink�察�and are overpast and renewed�察�while the gentle eyes of man hesitate 

and mingle the beginning with the close。                These inexpert eyes�察�delicately 

baffled�察  �detain   for   an   instant   the   image   that   puzzles   them�察  �and   so   dally 

with   the   bright   progress   of   a   meteor�察  �and   part   slowly   from   the   slender 

course     of  the   already    fallen   raindrop�察   �whose     moments      are   not  theirs。 

There     seems     to  be   such   a   difference    of   instants   as  invests    all  swift 

movement with mystery in man's eyes�察�and causes the past�察�a moment old�察�

to be written�察�vanishing�察�upon the skies。 

     The visible world is etched and engraved with the signs and records of 

our   halting   apprehension�察  �and   the   pause   between   the   distant   woodman's 

stroke     with   the   axe   and   its  sound     upon    our   ears   is  repeated    in  the 

impressions of our clinging   sight。            The   round   wheel   dazzles it�察 �and the 

stroke     of   the    bird's   wing     shakes     it  off   like   a   captivity     evaded。 

Everywhere the natural haste is impatient of these timid senses�察�and their 

perception�察     �outrun    by   the  shower�察   �shaken     by   the  light�察 �denied    by   the 

shadow�察�eluded by the distance�察�makes the lingering picture that is all our 

art。   One of the most constant causes of all the mystery and beauty of that 

art   is   surely   not   that   we   see   by   flashes�察  �but   that   nature   flashes   on   our 

meditative eyes。         There  is no need   for  the impressionist   to   make   haste�察�

nor would haste avail him�察�for mobile nature doubles upon him�察�and plays 



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with his delays the exquisite game of visibility。 

     Momently         visible    in   a   shower�察    �invisible     within     the   earth�察   �the 

ministration   of   water   is   so   manifest   in   the   coming   rain´cloud   that   the 

husbandman is allowed to see the rain of his own land�察�yet unclaimed in 

the arms of the rainy wind。             It is an eager lien that he binds the shower 

withal�察�and the grasp of his anxiety is on the coming cloud。                      His sense of 

property takes aim and reckons distance and speed�察�and even as he shoots 

a    little   ahead     of    the   equally      uncertain      ground´game�察        �he   knows 

approximately   how   to   hit   the   cloud   of   his   possession。        So   much   is   the 

rain bound to the earth that�察�unable to compel it�察�man has yet found a way�察�

by    lying    in  wait�察   �to  put   his   price    upon    it。   The     exhaustible      cloud 

;outweeps its rain�察─�and only the inexhaustible sun seems to repeat and to 

enforce   his   cumulative   fires   upon   every   span   of   ground�察  �innumerable。 

The rain is wasted upon the sea�察�but only by a fantasy can the sun's waste 

be    made    a   reproach     to  the   ocean�察   �the  desert�察   �or  the   sealed´up     street。 

Rossetti's ;vain virtues; are the virtues of the rain�察�falling unfruitfully。 

     Baby   of   the   cloud�察  �rain   is   carried   long   enough   within   that   troubled 

breast to make all the multitude of days unlike each other。                       Rain�察�as the 

end of the cloud�察�divides light and withholds it�察�in its flight warning away 

the   sun�察  �and   in   its   final   fall   dismissing   shadow。      It   is   a   threat   and   a 

reconciliation�察  �it   removes   mountains   compared   with   which   the Alps   are 

hillocks�察    �and    makes     a  childlike     peace    between      opposed      heights    and 

battlements of heaven。 



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      THE LETTERS OF MARCELINE 

                                VALMORE 



     ;Prends     garde    e  moi�察  �ma    fille�察 �et  couvre   moi    bien� ─   �Marceline 

Desbordes´Valmore�察  �writing   from   France   to   her   daughter   Ondine�察  �who 

was     delicate   and   chilly  in   London     in  1841�察  �has   the  same    solicitous�察�

journeying      fancy    as  was    expressed    by   two    other   women�察    �both    also 

Frenchwomen�察�and both articulate in tenderness。                Eugenie de Guerin�察�that 

queen of sisters�察�had preceded her with her own complaint�察 �I have a pain 

in my brother's side;�察�and in another age Mme。 de Sevigne had suffered�察�in 

the   course   of   long   posts   and   through   infrequent   lettersa   protraction   of 

conjectured painwithin the frame of her absent daughter。                   She phrased 

her plight in much the same words�察�confessing the uncancelled union with 

her child that had effaced for her the boundaries of her personal life。 

     Is   not   what   we   call   a   lifethe   personal   lifea   separation   from   the 

universal life�察�a seclusion�察�a division�察�a cleft�察�a wound�拭           �For these women�察�

such a severance was in part healed�察�made whole�察�closed up�察�and   cured。 

Life was restored between two at a time of human´ kind。                  Did these three 

women   guess   that   their   sufferings   of   sympathy   with   their   children   were 

indeed   the   signs   of   a   new   and   universal   healththe   prophecy   of   human 

unity�拭�

     The sign might have been a more manifest and a happier prophecy had 

this union of tenderness taken the gay occasion as often as the sad。 Except 

at   times�察  �in   the   single   case   of   Mme。   de   Sevigne�察  �all   three   far   more 

sensitive than the rest of the worldwere yet not sensitive enough to feel 

equally the less sharp communication of joy。               They claimed�察�owned�察�and 

felt sensibly the pangs and not the pleasures of the absent。               Or if not only 

the   pangs�察  �at   least   they   were   apprehensive   chiefly   in   that   sense   which 

human       anxiety    and   foreboding      have    lent   to  the   word�察   �they    were 

apprehensive   of   what   they   feared。      ;Are   you   warm�拭─  �writes   Marceline 

Valmore  to   her   child。  ;You   have   so   little  to   wearare  you   really  warm�拭�

Oh�察�take care of mecover me well。;               Elsewhere she says�察 �You are an 



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insolent   child   to   think   of   work。   Nurse   your   health�察  �and   mine。       Let   us 

live   like   fools;�察  �whereby   she   meant   that   she   should   work   with   her   own 

fervent   brain   for   both�察  �and   take   the   while   her   rest   in   Ondine。    If   this 

living and unshortened love was sad�察�it must be owned that so�察�too�察�was 

the   story。   Eugenie   and   Maurice   de   Guerin   were   both   to   die   soon�察  �and 

Marceline was to lose this daughter and another。 

     But set free from the condition and occasion of pain and sorrow�察�this 

life without boundaries which mothers have undergone seems to suggest 

and to portend what the progressive charity of generations may beand is�察�

in fact�察�though the continuity does not always appearin the course of the 

world。     If a love and life without boundaries go down from a mother into 

her   child�察  �and   from  that   child   int

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