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the civilization of the renaissance in italy-及74嫗

弌傍�� the civilization of the renaissance in italy 忖方�� 耽匈4000忖

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o all its tasks。 Among other nations a  conscious separation of this kind did not occur till a much later  period。

The opinion of educated people as to the social value of language is  fully set forth in the 'Cortigiano。' There were then persons�察�at the  beginning of the sixteenth century�察�who purposely kept to the  antiquated expressions of Dante and the other Tuscan writers of his  time�察�simply because they were old。 Our author forbids the use of them  altogether in speech�察�and is unwilling to permit them even in writing�察 �which he considers a form of speech。 Upon this follows the admission  that the best style of speech is that which most resembles good  writing。 We can clearly recognize the author's feeling that people who  have anything of importance to say must shape their own speech�察�and  that language is something flexible and changing because it is  something living。 It is allowable to make use of any expression�察 �however ornate�察�as long as it is used by the people�察�nor are non´Tuscan  words�察�or even French and Spanish words forbidden�察�if custom has once  applied them to definite purposes。 Thus care and intelligence will  produce a language�察�which�察�if not the pure old Tuscan�察�is still  Italian�察�rich in flowers and fruit like a well´kept garden。 It belongs  to the completeness of the 'Cortigiano' that his wit�察�his polished  manners�察�and his poetry�察�must be clothed in this perfect dress。

When style and language had once become the property of a living  society�察�all the efforts of purists and archaists failed to secure  their end。 Tuscany itself was rich in writers and the first order�察�who  ignored and ridiculed these endeavors。 Ridicule in abundance awaited  the foreign scholar who explained to the Tuscans how little they  understood their language。 The life and influence of a writer like  Machiavelli was enough to sweep away all these cobwebs。 His vigorous  thoughts�察�his clear and simple mode of expression wore a form which had  any merit but that of the 'Trecentisti。' And on the other hand there  were too many North Italians�察�Romans�察�and Neapolitans�察�who were  thankful if the demand for purity of style in literature and  conversation was not pressed too far。 They repudiated�察�indeed�察�the  forms and idioms of their dialect�察�and Bandello�察�with what a foreigner  might suspect to be false modesty�察�is never tired of declaring�此�'I have  no style�察�I do not write like a Florentine�察�but like a barbarian�察�I am  not ambitious of giving new graces to my language�察�I am a Lombard�察�and  from the Ligurian border into the bargain。' But the claims of the  purists were most successfully met by the express renunciation of the  higher qualities of style�察�and the adoption of a vigorous�察�popular  language in their stead。 Few could hope to rival Pietro Bembo who�察 �though born in Venice�察�nevertheless wrote the purest Tuscan�察�which to  him was a foreign language�察�or the Neapolitan Sannazaro�察�who did the  same。 But the essential point was that language�察�whether spoken or  written�察�was held to be an object of respect。 As long as this feeling  was prevalent�察�the fanaticism of the puriststheir linguistic  congresses and the rest of itdid little harm。 Their bad influence was  not felt till much later�察�when the original power of Italian literature  relaxed and yielded to other and far worse influences。 At last it  became possible for the Accademia della Crusca to treat Italian like a  dead language。 But this association proved so helpless that it could  not even hinder the invasion of Gallicism in the eighteenth century。

This languageloved�察�tended�察�and trained to every usenow served as  the basis of social intercourse。 In northern countries�察�the nobles and  the princes passed their leisure either in solitude�察�or in hunting�察 �fighting�察�drinking�察�and the like�察�the burghers in games and bodily  exercises�察�with a mixture of literary or festive amusements。 In Italy  there existed a neutral ground�察�where people of every origin�察�if they  had the needful talent and culture�察�spent their time in conversation  change of jest and earnest。 As eating small part of such  entertainments�察�it not difficult to keep at a distance those who sought  society for these objects。 If we are to take the writers of dialogues  literally�察�the loftiest problems of human existence were not excluded  from the conversation of thinking men�察�and the production of noble  thoughts was not�察�as was commonly the case in the North�察�the work of  solitude�察�but of society。 But we must here limit ourselves to the less  serious side of social intercourseto the side which existed only for  the sake of amusement。

Social Etiquette 

This society�察�at all events at the beginning of the sixteenth century�察 �was a matter of art�察�and had�察�and rested on�察�tacit or avowed rules of  good sense and propriety�察�which are the exact reverse of all mere  etiquette。 In less polished circles�察�where society took the form of a  permanent corporation�察�we meet with a system of formal rules and a  prescribed mode of entrance�察�as was the case with those wild sets of  Florentine artists of whom Vasari tells us that they were capable of  giving representations of the best comedies of the day。 In the easier  intercourse of society it was not unusual to select some distinguished  lady as president�察�whose word was law for the evening。

Everybody knows the introduction to Boccaccio's 'Decameron��' and looks  on the presidency of Pampinea as a graceful fiction。 That it was so in  this particular case is a matter of course�察�but the fiction was  nevertheless based on a practice which often occurred in reality。  Firenzuola�察�who nearly two centuries later ��1523�� pref´ aces his  collection of tales in a similar manner�察�with express reference to  Boccaccio�察�comes assuredly nearer to the truth when he puts into the  mouth of the queen of the society a formal speech on the mode of  spending the hours during the stay which the company proposed to make  in the country。 The day was to begin with a stroll among the hills  passed in philosophical talk�察�then followed breakfast�察�with music and  singing�察�after which came the recitation�察�in some cool�察�shady spot�察�of  a new poem�察�the subject of which had been given the night before�察�in  the evening the whole party walked to a spring of water where they all  sat down and each one told a tale�察�last of all came supper and lively  conversation 'of such a kind that the women might listen to it without  shame and the men might not seem to be speaking under the influence of  wine。' Ban´ dello�察�in the introductions and dedications to single  novels�察�does not give us�察�it is true�察�such inaugural discourses as  this�察�since the circles before which the stories are told are  represented as already formed�察�but he gives us to understand in other  ways how rich�察�how manifold�察�and how charming the conditions of society  must have been。 Some readers may be of opinion that no good was to be  got from a world which was willing to be amused by such immoral  literature。 It would be juster to wonder at the secure foundations of a  society which�察�notwithstanding these tales�察�still observed the rules of  order and decency�察�and which knew how to vary such pastimes with  serious and solid discussion。 The need of noble forms of social  intercourse was felt to be stronger than all others。 To convince  ourselves of it�察�we are not obliged to take as our standard the  idealized society which Castiglione depicts as discussing the loftiest  sentiments and aims of human life at the court of Guidobaldo of Urbino�察 �and Pietro Bembo at the castle of Asolo The society described by  Bandello�察�with all the frivolities which may be laid to its charge�察 �enables us to form the best notion of the easy and polished dignity�察�of  the urbane kindliness�察�of the intellectual freedom�察�of the wit and the  graceful dilettantism�察�which distinguished these circles。 A significant  proof of the value of such circles lies in the fact that the women who  were the centers of them could become famous and illustrious without in  any way compromising their reputation。 Among the patronesses of  Bandello�察�for example�察�Isabella Gonzaga ��born an Este�� was talked of  unfavorably not through any fault of her own�察�but on account of the  too´free´lived young lad

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