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the civilization of the renaissance in italy-及83嫗

弌傍�� the civilization of the renaissance in italy 忖方�� 耽匈4000忖

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gabonds�察�the devils�察�the sellers of various kinds of wares�察�and even  on one occasion 'il popolo��' the people as such�察�who all reviled one  another in their songs。 The songs�察�which still remain and have been  collected�察�give the explanation of the masquerade sometimes pathetic�察 �sometimes in a humorous�察�and sometimes in an excessively indecent tone。  Some of the worst in this respect are attributed to Lorenzo the  Magnificent�察�probably because the real author did not venture to  declare himself。 However this may be�察�we must certainly ascribe to him  the beautiful song which accompanied the masque of Bacchus and Ariadne�察 �whose refrain still echoes to us from the fifteenth century�察�like a  regretful presentiment of the brief splendor of the Renaissance itself��

'Quanto ��bella giovinezza�察�Che si fugge tuttavia� �Chi vuol esser lieto�察�sia�此�Di doman non c'��certezza。'

Part Six

MORALITY AND RELIGION

Morality and Judgement

The relation of the various peoples of the earth to the supreme  interests of life�察�to God�察�virtue�察�and immortality�察�may be investigated  up to a certain point�察�but can never be compared to one another with  absolute strictness and certainty。 The more plainly in these matters  our evidence seems to speak�察�the more carefully must we refrain from  unqualified assumptions and rash generalizations。

This remark is especially true with regard to our judgement on  questions of morality。 It may be possible to indicate many contrasts  and shades of difference among different nations�察�but to strike the  balance of the whole is not given to human insight。 The ultimate truth  with respect to the character�察�the conscience�察�and the guilt of a  people remains for ever a secret�察�if only for the reason that its  defects have another side�察�where they reappear as peculiarities or even  as virtues。 We must leave those who find pleasure in passing sweeping  censures on whole nations�察�to do so as they like。 The people of Europe  can maltreat�察�but happily not judge one another。 A great nation�察 �interwoven by its civilization�察�its achievements�察�and its fortunes with  the whole life of the modern world�察�can afford to ignore both its  advocates and its accusers。 It lives on with or without the approval of  theorists。

Accordingly�察�what here follows is no judgement�察�but rather a string of  marginal notes�察�suggested by a study of the Italian Renaissance  extending over some years。 The value to be attached to them is all the  more qualified as they mostly touch on the life of the upper classes�察 �with respect to which we are far better informed in Italy than in any  other country in Europe at that period。 But though both fame and infamy  sound louder here than elsewhere�察�we are not helped thereby in forming  an adequate moral estimate of the people。

What eye can pierce the depths in which the character and fate of  nations are determined��in which that which is inborn and that which  has been experienced combine to form a new whole and a fresh nature�拭�in which even those intellectual capacities which at first sight we  should take to be most original are in fact evolved late and slowly�拭 �Who can tell if the Italian before the thirteenth century possessed  that flexible activity and certainty in his whole beingthat play of  power in shaping whatever subject he dealt with in word or in form�察 �which was peculiar to him later�拭�And if no answer can be found to these  questions�察�how can we possibly judge of the infinite and infinitely  intricate channels through which character and intellect are  incessantly pouring their influence one upon the other。 A tribunal  there is for each one of us�察�whose voice is our conscience�察�but let us  have done with these generalities about nations。 For the people that  seems to be most sick the cure may be at hand�察�and one that appears to  be healthy may bear within it the ripening germs of death�察�which the  hour of danger will bring forth from their hiding´place。

Morality and Immorality

At the beginning of the sixteenth century�察�when the civilization of the  Renaissance had reached its highest pitch�察�and at the same time the  political ruin of the nation seemed inevitable�察�there were not wanting  serious thinkers who saw a connexion between this ruin and the  prevalent immorality。 It was not one 。of those methodistical moralists  who in every age think themselves called to declaim against the  wickedness of the time�察�but it was Machiavelli�察�who�察�in one of his  best´considered works�察�said openly�此�'We Italians are irreligious and  corrupt above others。' Another man would perhaps have said�察�'We are  individually highly developed�察�we have outgrown the limits of morality  and religion which were natural to us in our undeveloped state�察�and we  despise outward law�察�because our rulers are illegitimate�察�and their  judges and officers wicked men。' Machiavelli adds�察�'because the Church  and her representatives set us the worst example。'

Shall we add also�察�'because the influence exercised by antiquity was in  this respect unfavorable'�拭�The statement can only be received with many  qualifications。 It may possibly be true of the humanists�察�especially as  regards the profligacy of their lives。 Of the rest it may perhaps be  said with some approach to accuracy that�察�after they became familiar  with antiquity�察�they substituted for holinessthe Christian ideal of  lifethe cult of historical greatness。 We can understand�察�therefore�察 �how easily they would be tempted to consider those faults and vices to  be matters of indifference�察�in spite of which their heroes were great。  They were probably scarcely conscious of this themselves�察�for if we are  summoned to quote any statement of doctrine on this subject�察�we are  again forced to appeal to humanists like Paolo Giovio�察�who excuses the  perjury of Giangaleazzo Visconti�察�through which he was enabled to found  an empire�察�by the example of Julius Caesar。 The great Florentine  historians and statesmen never stoop to these slavish quotations�察�and  what seems antique in their deeds and their judgements is so because  the nature of their political life necessarily fostered in them a mode  of thought which has some analogy with that of antiquity。

Nevertheless�察�it cannot be denied that Italy at the beginning of the  sixteenth century found itself in the midst of a grave moral crisis�察 �out of which the best men saw hardly any escape。

Let us begin by saying a few words about that moral force which was  then the strongest bulwark against evil。 The highly gifted man of that  day thought to find it in the sentiment of honour。 This is that  enigmatic mixture of conscience and egotism which often survives in the  modern man after he has lost�察�whether by his own fault or not�察�faith�察 �love�察�and hope。 This sense of honour is compatible with much  selfishness and great vices�察�and may be the victim of astonishing  illusions�察�yet�察�nevertheless�察�all the noble elements that are left in  the wreck of a character may gather around it�察�and from this fountain  may draw new strength。 It has become�察�in a far wider sense than is  commonly believed�察�a decisive test of conduct in the minds of the  cultivated Europeans of our own day�察�and many of those who yet hold  faithfully by religion and morality are unconsciously guided by this  feeling in the gravest decisions of their lives。

It lies without the limits of our task to show how the men of antiquity  also experienced this feeling in a peculiar form�察�and how�察�afterwards�察 �in the Middle Ages�察�a special sense of honour became the mark of a  particular class。 Nor can we here dispute with those who hold that  conscience�察�rather than honour�察�is the motive power。 It would indeed be  better and nobler if it were so�察�but since it must be granted that even  our worthier resolutions result from 'a conscience more or less dimmed  by selfishness��' it is better to call the mixture by its right name。 It  is certainly not always easy�察�in treating of the Italian of this  period�察�to distinguish this sense of honour from the passion for fame�察 �into which�察�indeed�察�it easily passes。 Yet the two sentiments are  essentially different。

There is no lack of witnesses on this subject。 One who speaks plainly  may here be quoted as a representative of the rest。 We

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