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the ways of men(繁断議返粁)-及28嫗

弌傍�� the ways of men(繁断議返粁) 忖方�� 耽匈4000忖

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account   of   the   personality   of   the   poet   who      founded     it   than  from   any 

originality or picturesqueness in its intallation�察�was the ;Mirliton�察─�opened 



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by Aristide Bruant in the little rooms that had sheltered the original ;Chat 

Noir。; 

     To give an account of the ;Mirliton; is to tell the story of Bruant�察�the 

most   popular   ballad´writer   in   France   to´day。   This   original   and   eccentric 

poet   is   as  well´known      to   a  Parisian   as  the   boulevards     or  the   Arc   de 

Triomphe。   His   costume   of   shabby   black   velvet�察  �Brittany   waistcoat�察  �red 

shirt�察�top´boots�察�and enormous hat is a familiar feature in the caricatures 

and prints of the day。 His little CABARET remains closed during the day�察�

opening   its   doors   toward   evening。   The   personality   of   the   ballad´writer 

pervades      the   atmosphere。      He   walks    about    the   tiny  place    hailing   his 

acquaintances        with   some    gay    epigram�察   �receiving     strangers    with   easy 

familiarity or chilling disdain�察�as the humor takes him�察�then in a moment�察�

with a rapid change of expression�察�pouring out the ringing lines of one of 

his ballads ´ always the story of the poor and humble�察�for he has identified 

himself with the outcast and the disinherited。 His volumes DANS LA RUE 

and   SUR   LA  ROUTE   have   had   an   enormous   popularity�察  �their   contents 

being known and sung all over France。 

     In 1892 Bruant was received as a member of the society of GENS DE 

LETTRES。   It   may   be   of   interest   to   recall   a   part   of   the  speech   made   by 

Francois Coppee   on   the occasion�此   �It is   with the   greatest   pleasure   that   I 

present to my confreres my good friend�察�the ballad´writer�察�Aristide Bruant。 

I value highly the author of DANS LA RUE。 When I close his volume of 

sad and caustic verses it is with the consoling thought that even vice and 

crime   have   their   conscience�此  �that   if   there   is   suffering   there is   a   possible 

redemption。 He has sought his inspiration in the gutter�察�it is true�察�but he 

has seen there a reflection of the stars。; 

     In the Avenue Trudaine�察�not far from the other CABARETS�察�the ;Ane 

Rouge;   was   next   opened�察  �in   a   quiet   corner   of   the   immense   suburb�察  �its 

shady´little     garden�察   �on   which     the   rooms    open�察   �making     it  a  favorite 

meeting´place   during   the   warm   months。   Of   a   summer   evening   no   more 

congenial spot can be found in all Paris。 The quaint chambers have been 

covered      with    mural    paintings     or   charcoal     caricatures    of   the   poets 

themselves�察�or of familiar faces among the clients and patrons of the place。 

     One of the many talents that clustered around this quiet little garden 



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was   the   brilliant   Paul   Verlaine�察  �the   most   Bohemian   of   all   inhabitants   of 

modern   Prague�察  �whose   death   has   left   a   void�察  �difficult   to   fill。   Fame   and 

honors came too late。 He died in destitution�察�if not absolutely of hunger�察�

to´day his admirers are erecting a bronze bust of him in the Garden of the 

Luxembourg�察�with money that would have gone far toward making his life 

happy。 

     In the old hotel of the Lesdiguieres family�察�rue de la Tour d'Auvergne�察�

the ;Carillon; opened its doors in 1893�察�and quickly conquered a place in 

the public favor�察�the inimitable fun and spirits of Tiercy drawing crowds to 

the place。 

     The     famous     ;Treteau     de   Tabarin�察─   �which     today    holds    undisputed 

precedence   over   all   the   CABARETS   of            Paris�察  �was   among   the   last    to 

appear。 It was founded by the brilliant Fursy and a group of his friends。 

Here no pains have been spared to form a setting worthy of the poets and 

their public。 

     Many years ago�察�in the days of the good king Louis XIII。�察�a strolling 

poet´actor�察  �Tabarin�察  �erected   his   little   canvas´   covered   stage   before         the 

statue of Henry IV。�察�on the Pont´ Neuf�察�and drew the court and the town by 

his   fun   and   pathos。    The    founders     of   the  latest  and   most    complete     of 

Parisian CABARETS have reconstructed�察�as far as possible�察�this historic 

scene。   On   the   wall   of   the   room   where   the   performances   are   given�察  �is 

painted a view of old Paris�察�the Seine and its bridges�察�the towers of Notre 

Dame in the distance�察�and the statue of Louis XIII。's warlike father in the 

foreground。   In   front   of   this   painting   stands   a   staging   of   rough   planks�察�

reproducing the little theatre of Tabarin。 Here�察�every evening�察�the authors 

and poets play in their own pieces�察�recite their verses�察�and tell their stories。 

Not   long   ago   a   young   musician�察  �who   has   already   given   an   opera   to   the 

world�察  �sang   an   entire   one´act   operetta   of   his   composition�察  �changing   his 

voice   for   the   different   parts�察  �imitating   choruses   by   clever   effects   on   the 

piano。 

     Montmartre is now sprinkled with attractive CABARETS�察�the taste of 

the public for such informal entertainments having grown each year�察�with 

reason�察  �for   the   careless   grace   of   the   surroundings�察  �the   absence   of   any 

useless   restraint   or   obligation   as   to   hour   or   duration�察  �has   a   charm   for 



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thousands whom a long concert or the inevitable five acts at the Francais 

could   not   tempt。   It   would   be   difficult   to   overrate   the   influence   such   an 

atmosphere�察�breathed in youth�察�must have on the taste and character。 The 

absence of a sordid spirit�察�the curse of our material day and generation�察�the 

contact with intellects trained to incase their thoughts in serried verse or 

crisp and lucid prose�察�cannot but form the hearer's mind into a higher and 

better mould。 It is both a satisfaction and a hope for the future to know that 

these   influences   are   being   felt   all   over   the   capital   and   throughout   the 

length and breadth of France。 There are at this moment in Paris alone three 

or four hundred poets�察�ballad writers�察�and RACONTEURS who recite their 

works in public。 

     It must be hard for the untravelled Anglo´Saxon to grasp the idea that a 

poet can�察�without loss of prestige�察�recite his lines in a public CAFE before 

a mixed audience。 If such doubting souls could�察�however�察�be present at one 

of   these   NOCTES   AMBROSIANAE�察  �they   would   acknowledge   that   the 

Latin temperament can throw a grace and child´like abandon around an act 

that   would   cause   an   Englishman   or   an   American   to   appear   supremely 

ridiculous。 One's taste and sense of fitness are never shocked。 It seems the 

most natural thing in the world to be sitting with your glass of beer before 

you�察�while some rising poet�察�whose name ten years later may figure among 

the   ;Immortal   Forty�察─  �tells   to   you   his   loves   and   his   ambition�察  �or   brings 

tears into your eyes with a description of some humble hero or martyr。 

     From the days of Homer poetry has been the instructor of nations。 In 

the   Orient   to´day  the   poet   story´teller  holds   his   audience  spellbound   for 

hours�察  �teaching   the   people   their   history   and   supplying   their   minds   with 

food   for   thought�察  �raising   them   above   the   dull   level   of   the   brutes   by   the 

charm of his verse and the elevation of his ideas。 The power of poetry is 

the   same   now   as   three   tho

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