misc writings and speeches(致帽針傍嚥亟)-及14嫗
梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
;My lips have sworn it�察 �but my mind is free。; ��See Euripides�此�
Hippolytus�察 �608。 For the jesuitical morality of this line Euripides is
bitterly attacked by the comic poet。��
SPEUSIPPUS。 But Alcibiades
ALCIBIADES。 What� �Are you afraid of Ceres and Proserpine�拭�
SPEUSIPPUS。 NobutbutIthat is Ibut it is best to be safeI
mean Suppose there should be something in it。
ALCIBIADES。 Now�察 �by Mercury�察 �I shall die with laughing。 O
Speusippus。 Speusippus� �Go back to your old father。 Dig vineyards�察�
and judge causes�察�and be a respectable citizen。 But never�察�while you live�察�
again dream of being a philosopher。
SPEUSIPPUS。 Nay�察�I was only
ALCIBIADES。 A pupil of Gorgias and Melesigenes afraid of Tartarus� �
In what region of the infernal world do you expect your domicile to be
fixed�拭 �Shall you roll a stone like Sisyphus�拭 �Hard exercise�察�Speusippus� �
SPEUSIPPUS。 In the name of all the gods
ALCIBIADES。 Or shall you sit starved and thirsty in the midst of fruit
and wine like Tantalus�拭 �Poor fellow�拭 �I think I see your face as you are
springing up to the branches and missing your aim。 Oh Bacchus� �Oh
Mercury� �
SPEUSIPPUS。 Alcibiades� �
ALCIBIADES。 Or perhaps you will be food for a vulture�察 �like the
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huge fellow who was rude to Latona。
SPEUSIPPUS。 Alcibiades� �
ALCIBIADES。 Never fear。 Minos will not be so cruel。 Your
eloquence will triumph over all accusations。 The Furies will skulk away
like disappointed sycophants。 Only address the judges of hell in the
speech which you were prevented from speaking last assembly。 ;When I
consider;is not that the beginning of it�拭 �Come�察�man�察�do not be angry。
Why do you pace up and down with such long steps�拭 �You are not in
Tartarus yet。 You seem to think that you are already stalking like poor
Achilles�察�
;With stride Majestic through the plain of Asphodel。; ��See Homer's
Odyssey�察�xi。 538。��
SPEUSIPPUS。 How can you talk so�察�when you know that I believe all
that foolery as little as you do�拭�
ALCIBIADES。 Then march。 You shall be the crier。 Callicles�察�you
shall carry the torch。 Why do you stare�拭 。�The crier and torchbearer
were important functionaries at the celebration of the Eleusinian
mysteries。��
CALLICLES。 I do not much like the frolic。
ALCIBIADES。 Nay�察�surely you are not taken with a fit of piety。 If all
be true that is told of you�察 �you have as little reason to think the gods
vindictive as any man breathing。 If you be not belied�察�a certain golden
goblet which I have seen at your house was once in the temple of Juno at
Corcyra。 And men say that there was a priestess at Tarentum
CALLICLES。 A fig for the gods� �I was thinking about the Archons。
You will have an accusation laid against you to´morrow。 It is not very
pleasant to be tried before the king。 ��The name of king was given in the
Athenian democracy to the magistrate who exercised those spiritual
functions which in the monarchical times had belonged to the sovereign。
His court took cognisance of offences against the religion of the state。��
ALCIBIADES。 Never fear�此 �there is not a sycophant in Attica who
would dare to breathe a word against me�察�for the golden plane´tree of the
great king。 ��See Herodotus�察�viii。 28。��
HIPPOMACHUS。 That plane´tree
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ALCIBIADES。 Never mind the plane´tree。 Come�察 �Callicles�察 �you
were not so timid when you plundered the merchantman off Cape Malea。
Take up the torch and move。 Hippomachus�察 �tell one of the slaves to
bring a sow。 ��A sow was sacrificed to Ceres at the admission to the
greater mysteries。��
CALLICLES。 And what part are you to play�拭�
ALCIBIADES。 I shall be hierophant。 Herald�察 �to your office。
Torchbearer�察�advance with the lights。 Come forward�察�fair novice。 We
will celebrate the rite within。
��Exeunt。�А�
。。。
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CRITICISMS ON THE
PRINCIPAL ITALIAN WRITERS。
No。 I。 DANTE。
��January 1824��
;Fairest of stars�察�last in the train of night�察�If better thou belong not to
the dawn�察 �Sure pledge of day�察 �that crown'st the smiling morn With thy
bright circlet。; Milton。
In a review of Italian literature�察 �Dante has a double claim to
precedency。 He was the earliest and the greatest writer of his country。
He was the first man who fully descried and exhibited the powers of his
native dialect。 The Latin tongue�察 �which�察 �under the most favourable
circumstances�察�and in the hands of the greatest masters�察�had still been poor�察�
feeble�察�and singularly unpoetical�察�and which had�察�in the age of Dante�察�been
debased by the admixture of innumerable barbarous words and idioms�察�
was still cultivated with superstitious veneration�察�and received�察�in the last
stage of corruption�察�more honours than it had deserved in the period of its
life and vigour。 It was the language of the cabinet�察�of the university�察�of
the church。 It was employed by all who aspired to distinction in the
higher walks of poetry。 In compassion to the ignorance of his mistress�察�a
cavalier might now and then proclaim his passion in Tuscan or Proven �a l
rhymes。 The vulgar might occasionally be edified by a pious allegory in
the popular jargon。 But no writer had conceived it possible that the
dialect of peasants and market´women should possess sufficient energy
and precision for a majestic and durable work。 Dante adventured first。
He detected the rich treasures of thought and diction which still lay latent
in their ore。 He refined them into purity。 He burnished them into
splendour。 He fitted them for every purpose of use and magnificence。
And he has thus acquired the glory�察 �not only of producing the finest
narrative poem of modern times but also of creating a language�察�
distinguished by unrivalled melody�察 �and peculiarly capable of furnishing
to lofty and passionate thoughts their appropriate garb of severe and
concise expression。
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To many this may appear a singular panegyric on the Italian tongue。
Indeed the great majority of the young gentlemen and young ladies�察�who�察�
when they are asked whether they read Italian�察 �answer ;yes�察─ �never go
beyond the stories at the end of their grammar��The Pastor Fido��or an
act of Artaserse。 They could as soon read a Babylonian brick as a canto