ACKNOWLEDGMENTS A debt of gratitude to Emily Bestler, Jason Kaufman, Ben Kaplan, and everyone at Pocket Books for their belief in this project. To my friend and agent, Jake Elwell, for his enthusiasm and unflagging effort. To the legendary George Wieser, for convincing me to write novels. To my dear friend Irv Sittler, for facilitating my audience with the Pope, secreting me into parts of Vatican City few ever see, and making my time in Rome unforgettable. To one of the most ingenious and gifted artists alive, John Langdon, who rose brilliantly to my impossible challenge and created the ambigrams for this novel. To Stan Planton, head librarian, Ohio University-Chillicothe, for being my nu
THE GIANTS AND THE HERD-BOY[12][12] From the Bukowniaer. Von Wliolocki.There was once upon a time a poor boy who had neither father normother. In order to gain a living he looked after the sheep of agreat Lord. Day and night he spent out in the open fields, andonly when it was very wet and stormy did he take refuge in alittle hut on the edge of a big forest. Now one night, when hewas sitting on the grass beside his flocks, he heard not very farfrom him the sound as of some one crying. He rose up andfollowed the direction of the noise. To his dismay andastonishment he found a Giant lying at the entrance of the wood;he was about to run off as fast as his legs could carry him, when...
THE PEOPLE OF THE ABYSSTHE PEOPLE OF THEABYSSby Jack London1- Page 2-THE PEOPLE OF THE ABYSSThe chief priests and rulers cry:-"O Lord and Master, not ours the guilt, We build but as our fathersbuilt; Behold thine images how they stand Sovereign and sole through allour land."Our task is hardwith sword and flame, To hold thine earth foreverthe same, And with sharp crooks of steel to keep, Still as thou leftest them,thy sheep."...
A. V. LaiderA. V. LaiderBy MAX BEERBOHM1- Page 2-A. V. LaiderI UNPACKED my things and went down to await luncheon.It was good to be here again in this little old sleepy hostel by the sea.Hostel I say, though it spelt itself without an "s" and even placed acircumflex above the "o." It made no other pretension. It was very cozyindeed.I had been here just a year before, in mid-February, after an attack ofinfluenza. And now I had returned, after an attack of influenza. Nothing...
A Voyage to Abyssiniaby Father Jerome Lobotranslated from the French by Samuel Johnson.INTRODUCTION by Henry Morley, Editor of the 1887 editionJeronimo Lobo was born in Lisbon in the year 1593. He entered the Order of the Jesuits at the age of sixteen. After passing through the studies by which Jesuits were trained for missionary work, which included special attention to the arts of speaking and writing, Father Lobo was sent as a missionary to India at the age of twenty- eight, in the year 1621. He reached Goa, as his book tells, in 1622, and was in 1624, at the age of thirty-one, told off as one of the missionaries to be employed in the conversion of the Abyssinians. They were to be co
CHARLOTTE TEMPLECHARLOTTE TEMPLEBY SUSANNA HASWELL ROWSON1- Page 2-CHARLOTTE TEMPLEPREFACE.FOR the perusal of the young and thoughtless of the fair sex, this Taleof Truth is designed; and I could wish my fair readers to consider it as notmerely the effusion of Fancy, but as a reality. The circumstances on whichI have founded this novel were related to me some little time since by anold lady who had personally known Charlotte, though she concealed thereal names of the characters, and likewise the place where the unfortunate...
THE AMAZING INTERLUDETHE AMAZINGINTERLUDEby Mary Roberts Rinehart- Page 2-THE AMAZING INTERLUDECHAPTER IThe stage on which we play our little dramas of life and love has formost of us but one setting. It is furnished out with approximately the samethings. Characters come, move about and make their final exits throughlong-familiar doors. And the back drop remains approximately the samefrom beginning to end. Palace or hovel, forest or sea, it is the backgroundfor the moving figures of the play....
●在飞机上您想喝点儿什么?What would you like to drink?What would you like to drink? (您想喝点儿什么?)Well, what do you have? (您这儿都有什么?)Anything to drink? (您喝什么吗?)请来一杯咖啡。Coffee, please.要加牛奶和糖吗?With sugar and cream? *cream “牛奶”。回答“要”用Yes, please，“不要”用No, thank you.明确地给予回答是一种礼貌。午餐您要牛肉还是要鱼?What would you like for dinner, beef or fish?Beef or fish for dinner?Which would you like, beef or fish?请给我牛肉。Beef, please.您用完了吗?Have you finished?Are you through?还没有。No, not yet.我可以收走了吗?May I clear the table? *clear 有“收拾餐具”的意思。May I clear the plates off the table?...
CARMENCARMENby PROSPER MERIMEE1- Page 2-CARMENCHAPTER II had always suspected the geographical authorities did not know whatthey were talking about when they located the battlefield of Munda in thecounty of the Bastuli-Poeni, close to the modern Monda, some twoleagues north of Marbella.According to my own surmise, founded on the text of the anonymousauthor of the /Bellum Hispaniense/, and on certain information culled...
North American Species of CactusNorth American Speciesof Cactusby John M. Coulter.1- Page 2-North American Species of CactusU.S. Department of AgricultureDivision of BotanyCONTRIBUTIONS FROM THE U. S. NATIONAL HERBARIUM Vol.IIINo. 2 Issued June 10, 1894 Preliminary Revision of the NorthAmerican Species of Cactus, Anhalonium, and Lophophora.byJohn M.Coulter. Published by Authority of the Secretary of Agriculture...
CLOTELLECLOTELLEBy William Wells Brown1- Page 2-CLOTELLECHAPTER ITHE SOUTHERN SOCIAL CIRCLEFOR many years the South has been noted for its beautiful Quadroonwomen. Bottles of ink, and reams of paper, have been used to portray the"finely-cut and well-moulded features," the "silken curls," the "dark andbrilliant eyes," the "splendid forms," the "fascinating smiles," and"accomplished manners" of these impassioned and voluptuous daughters...
The Ethics [Part 4](Ethica Ordine Geometrico Demonstrata)by Benedict de SpinozaTranslated by R. H. M. ElwesPART IV: Of Human Bondage, or the Strength of the EmotionsPREFACEHuman infirmity in moderating and checking the emotions I name bondage:for, when a man is a prey to his emotions, he is not his own master, butlies at the mercy of fortune: so much so, that he is often compelled,while seeing that which is better for him, to follow that which is worse.Why this is so, and what is good or evil in the emotions, I propose toshow in this part of my treatise. But, before I begin, it would be well...