BOOK II: OF THE TRAVELLING OF THE UTOPIANSIF any man has a mind to visit his friends that live in some othertown, or desires to travel and see the rest of the country, heobtains leave very easily from the syphogrant and tranibors whenthere is no particular occasion for him at home: such as travel,carry with them a passport from the Prince, which both certifiesthe license that is granted for travelling, and limits the time oftheir return. They are furnished with a wagon, and a slave whodrives the oxen and looks after them; but unless there are womenin the company, the wagon is sent back at the end of the journey...　

Maid MarianMaid Marianby Thomas Love Peacock1- Page 2-Maid MarianCHAPTER INow come ye for peace here, or come ye for war? SCOTT."The abbot, in his alb arrayed," stood at the altar in the abbey-chapelof Rubygill, with all his plump, sleek, rosy friars, in goodly lines disposed,to solemnise the nuptials of the beautiful Matilda Fitzwater, daughter ofthe Baron of Arlingford, with the noble Robert Fitz-Ooth, Earl of Locksleyand Huntingdon. The abbey of Rubygill stood in a picturesque valley, at...　

1790THE CRITIQUE OF JUDGEMENTby Immanuel Kanttranslated by James Creed MeredithPREFACE TO THE FIRST EDITION 1790.The faculty of knowledge from a priori principles may be called pure reason, and the general investigation into its possibility and bounds the Critique of Pure Reason. This is permissible although "pure reason," as was the case with the same use of terms in our first work, is only intended to denote reason in its theoretical employment, and although there is no desire to bring under review its faculty as practical reason and its special principles as such. That Critique is, then, an investigation addressed simply to our faculty of knowing things a priori. Hence it makes our cogni　

The Faith of Menby Jack LondonContents:A Relic of the PlioceneA Hyperborean BrewThe Faith of MenToo Much GoldThe One Thousand DozenThe Marriage of Lit-litBatardThe Story of Jees UckA RELIC OF THE PLIOCENEI wash my hands of him at the start. I cannot father his tales,nor will I be responsible for them. I make these preliminaryreservations, observe, as a guard upon my own integrity. I possessa certain definite position in a small way, also a wife; and forthe good name of the community that honours my existence with itsapproval, and for the sake of her posterity and mine, I cannot take...　

Areopagiticaby John MiltonA SPEECH FOR THE LIBERTY OF UNLICENSED PRINTINGTO THE PARLIAMENT OF ENGLANDThis is true liberty, when free-born men,Having to advise the public, may speak free,Which he who can, and will, deserves high praise;Who neither can, nor will, may hold his peace:What can be juster in a state than this?Euripid. Hicetid.They, who to states and governors of the Commonwealth directtheir speech, High Court of Parliament, or, wanting such access ina private condition, write that which they foresee may advance thepublic good; I suppose them, as at the beginning of no meanendeavour, not a little altered and moved inwardly in their minds:...　

Billy and the Big Stickby Richard Harding DavisHad the Wilmot Electric Light people remained content only to makelight, had they not, as a by-product, attempted to make money, theyneed not have left Hayti.When they flooded with radiance the unpaved streets of Port-au-Prince no one, except the police, who complained that the lightskept them awake, made objection; but when for this illumination theWilmot Company demanded payment, every one up to President HamilearPoussevain was surprised and grieved. So grieved was President Ham,as he was lovingly designated, that he withdrew the Wilmotconcession, surrounded the power-house with his barefooted army,and in a proclamation announced that for the　

The City of DomesA Walk with an Architect About the Courts and Palaces of the PanamaPacific International ExposItion with a Discussion of Its Architecture -Its Sculpture - Its Mural Decorations Its Coloring - And Its Lighting -Preceded by a History of Its Growthby John D. BarryTo the architects, the artists and the artisans and to the men ofaffairs who sustained them in the cooperative work that created anexposition of surpassing beauty, unique among the expositions of theworld.ContentsChapterPrefaceIntroductionI. The View from the HillII. The ApproachIII. In the South GardensIV. Under the Tower of Jewels...　

THE ADVENTURES OF SHERLOCK HOLMESThe Adventure of the Blue CarbuncleI had called upon my friend Sherlock Holmes upon the secondmorning after Christmas, with the intention of wishing him thecompliments of the season. He was lounging upon the sofa in apurple dressing-gown, a pipe-rack within his reach upon the right,and a pile of crumpled morning papers, evidently newly studied,near at hand. Beside the couch was a wooden chair, and on theangle of the back hung a very seedy and disreputable hard-felthat, much the worse for wear, and cracked in several places. A...　

NOTE TO GENERAL PREFACE, p. 　

380 BCPROTAGORASby Platotranslated by Benjamin JowettPROTAGORASPERSONS OF THE DIALOGUE: SOCRATES, who is the narrator of theDialogue to his Companion; HIPPOCRATES; ALCIBIADES; CRINAS;PROTAGORAS, HIPPIAS, PRODICUS, Sophists; CALLIAS, a wealthyAthenian. Scene: The House of CalliasCom. Where do you come from, Socrates? And yet I need hardly ask thequestion, for I know that you have been in chase of the fairAlcibiades. I saw the day before yesterday; and he had got a beard...　

Forty Centuries of Inkby David N. CarvalhoORA CHRONOLOGICAL NARRATIVE CONCERNINGINK AND ITS BACKGROUNDSINTRODUCING INCIDENTAL OBSERVATIONS ANDDEDUCTIONS, PARALLELS OF TIME AND COLORPHENOMENA, BIBLIOGRAPHY, CHEMISTRY,POETICAL EFFUSIONS, CITATIONS,ANECDOTES AND CURIOSA TOGETHER WITHSOME EVIDENCE RESPECTING THEEVANESCENT CHARACTER OFMOST INKS OF TO-DAY ANDAN EPITOME OF CHEMICO-LEGAL INK.BYDAVID N. CARVALHOPREFACE.The unfortunate conditions surrounding the almostuniversal use of the oddly named commercial and withfew exceptions record inks, and the so-called modern...　

360 BCPHAEDRUSby Platotranslated by Benjamin JowettPHAEDRUSPERSONS OF THE DIALOGUE: SOCRATES; PHAEDRUS. Scene: Under aplane-tree, by the banks of the Ilissus.Socrates. My dear Phaedrus, whence come you, and whither are yougoing?Phaedrus. I come from Lysias the son of Cephalus, and I am goingto take a walk outside the wall, for I have been sitting with himthe whole morning; and our common friend Acumenus tells me that itis much more refreshing to walk in the open air than to be shut up...