Acknowledgments　　A casebook edition of any work of literature is necessarily the result of work and good will by numerous people. We are deeply indebted to the writers who contributed the original materials contained in this volume.　We also wish to thank the authors, editors, and publishers who so kindly granted permissions for use of the previously published materials collected in this volume. Full acknowledgment for their valuable aid is printed in the headnote for each of the articles as well as original sources of publication.　The editors gratefully acknowledge the special courtesies of William Golding, J. T. C. Golding, Frank Kermode, Donald R. Spangler, Bruce P. Woodford, A. C. Will　

　　Inasmuch as the scene of this story is that historic pile, Belpher Castle, in the county of Hampshire, it would be an agreeable task to open it with a leisurely description of the place, followed by some notes on the history of the Earls of Marshmoreton, who have owned it since the fifteenth century. Unfortunately, in these days of rush and hurry, a novelist works at a disadvantage. He must leap into the middle of his tale with as little delay as he would employ in boarding a moving tramcar. He must get off the mark with the smooth swiftness of a jack-rabbit surprised while lunching. Otherwise, people throw him aside and go out to picture palaces.　I may briefly remark that the present Lor　

　Douglas Preston dedicates this book to Stuart Woods.　　Acknowledgments　Lincoln Child wishes to thank Bruce Swanson, Bry Benjamin, M.D., Lee Suckno, M.D., Irene Soderlund, Mary Ellen Mix, Bob Wincott, Sergio and Mila Nepomuceno, Jim Cush, Chris Yango, Jim Jenkins, Mark Mendel, Juliette Kvernland, Hartley Clark, and Denis Kelly, for their friendship and their assistance, both technical and otherwise. Thanks also to my wife, Luchie, for her love and unstinting support. And I would especially like to acknowledge as an inspiration my grandmother Nora Kubie. Artist, novelist, archaeologist, independent spirit, biographer of Nineveh excavator Austen Henry Layard, she instilled in me from a very ea　

　　Through the curtained windows of the furnished apartment which Mrs. Horace Hignett had rented for her stay in New York rays of golden sunlight peeped in like the foremost spies of some advancing army. It was a fine summer morning. The hands of the Dutch clock in the hall pointed to thirteen minutes past nine; those of the ormolu clock in the sitting-room to eleven minutes past ten; those of the carriage clock on the bookshelf to fourteen minutes to six. In other words, it was exactly eight; and Mrs. Hignett acknowledged the fact by moving her head on the pillow, opening her eyes, and sitting up in bed. She always woke at eight precisely.　Was this Mrs. Hignett the Mrs. Hignett, the world　

　January 1954　　The Boeing C-97 Stratocruiser bore the look of a crypt. Perhaps the image was bred by the cold winter night, or perhaps it came from the gusting snow that was piling an icy shroud on the wings and fuselage. The flickering lights from the cockpit windshield and the fleeting shadows of the maintenance crew served only to exaggerate the chilling scene.　Major Raymond Vylander, United States Air Force, did not care for what he saw. He watched silently as the fuel truck drove away and vanished into the stormy darkness. The loading ramp was dropped from the rear of the great whalelike belly, and then the cargo doors slowly swung closed, cutting off a rectangle of light that spilled 　

Blood SportNews item from the Westover (Me.) weekly Enterprise, August 19, 1966:RAIN OF STONES REPORTEDIt was reliably reported by several persons that a rain of stones fell from a clear blue sky on Carlin Street in the town of Chamberlain on August 17th. The stones fell principally on the home of Mrs Margaret White, damaging the roof extensively and ruining two gutters and a downspout valued at approximately $25. Mrs White, a widow, lives with her three-year-old daughter, Carietta.Mrs White could not be reached for ment.Nobody was really surprised when it happened, not really, not at the subconscious level where savage things grow. On the surface, all the girls in the shower room were shoc　

　A few years ago, while I was writing Flood Tide, I realized that Dirk Pitt needed some help on a particular assignment, and so I dreamed up Juan Cabrillo.　Cabrillo ran a ship called the Oregon, on the outside pletely nondescript, but on the inside packed with state-of-the-art intelligence-gathering equipment. It was a pletely private enterprise, available for any government agency that could afford it. It went where no warship could go, transported secret cargo without suspicion, plucked data out of the airit was the perfect plement to NUMA.　In fact, I had so much fun writing about the Oregon and its rakish, one-legged chief that I was sorry to see it sail off when its task was done. I pro　

　　　　　　1.　　　　Fingers of lightning tore holes in the black skies as an angry cloudburst drenched the surrealistic landscape. It was 3 A.M. on a cold, wet morning in late November 1967. and the little houses scattered along the dirt road winding through the hills of West Virginia were all dark. Some seemed unoccupied and in the final stages of decay. Others were unpainted, neglected, forlorn. The whole setting was like the opening scene of a Grade B horror film from the 1930s.　　　　Along the road there came a stranger in a land where strangers were rare and suspect. He walked up to the door of a crumbling farmhouse and hammered. After a long moment a light blinked on somewhere in the house and a　

　　　　This story takes place in an America whose history is often similar to, but often quite different from our own. You should not assume that the portrayal in this book of a person who shares a name with a figure from American history is an accurate portrayal of that historical figure. In particular, you should be aware that William Henry Harrison, famed in our own history for having the briefest presidency and for his unforgettable election slogan "Tippecanoe and Tyler too," was a somewhat nicer person than his counterpart in this book.　　My thanks to Carol Breakstone for American Indian lore; to Beth Meacham for Octagon Mound and Flint Ridge; to Wayne Williams for heroic patience; and to 　

　THE SWEETHEART OF A KING.　　The scene was not exactly new to me. Moved by the spirit of adventure, or by an access of ennui which overtakes me at times, I had several times visited the gaudy establishment of Mercer, on the fashionable side of Fifth Avenue in the Fifties. In either case I had found disappointment; where the stake is a matter of indifference there can be no excitement; and besides, I had been always in luck.　But on this occasion I had a real purpose before me, though not an important one, and I surrendered my hat and coat to the servant at the door with a feeling of satisfaction.　At the entrance to the main room I met Bob Garforth, leaving.　There was a scowl on his face and h　

　　　　SUDDENLY THE child began to scream, piercing shrieks of terror that died down to shaking sobs, clutching at his mother so that his tiny ringers pinched her skin agonisingly through her flimsy summer dress.　　　　Veronica Jones grimaced in the deep green gloom of the reptile house, had to check herself from giving her five-year-old son one of her habitual cuffs across his head. She held him to her, closed her eyes momentarily, a human ostrich trying to hide her embarrassment from the ghostly white faces that turned in her direction. Trust the little sod to start playing up. You squandered a sizeable chunk of the weekly family allowance to give him a treat and this was how he repaid you. Out　

　　　　The Treloar Building was, and is, on Olive Street, near Sixth, on the west side. The sidewalk in front of it had been built of black and white rubber blocks. They were taking them up now to give to the government, and a hatless pale man with a face like a building superintendent was watching the work and looking as if it was breaking his heart.　　I went past him through an arcade of specialty shops into a vast black and gold lobby. The Gillerlain pany was on the seventh floor, in front, behind swinging double plate glass doors bound in platinum. Their reception room had Chinese rugs, dull silver walls, angular but elaborate furniture, sharp shiny bits of abstract sculpture on pedestals a