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the spirit of place and other essays(仇圭議娼舞吉)-及17嫗

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the horizon。      Not the bark of the trees in its right colour�察�not the spirit of 

the growing grass�察�which has in some way escaped from the parks�察�not the 

smell of the earth unmingled with the odour of soot�察�but rather the mere 

horizon。     No doubt the sun makes a beautiful thing of the London smoke 

at times�察�and in some places of the sky�察�but not there�察�not where the soft 

sharp distance ought to shine。           To be dull there is to put all relations and 



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comparisons in the wrong�察�and to make the sky lawless。 

     A horizon dark with storm is another thing。                The weather darkens the 

line and defines it�察�or mingles it with the raining cloud�察�or softly dims it�察�or 

blackens it against a gleam of narrow sunshine in the sky。                       The stormy 

horizon   will   take   wing�察  �and   the   sunny。     Go   high   enough�察  �and   you   can 

raise the light from beyond the shower�察�and the shadow from behind the 

ray。    Only   the     shapeless    and   lifeless   smoke     disobeys     and   defeats    the 

summer of the eyes。 

     Up   at   the   top   of   the   seaward   hill   your   first   thought   is   one   of   some 

compassion   for   sailors�察  �inasmuch   as   they   see   but   little   of   their   sea。   A 

child on a mere Channel cliff looks upon spaces and sizes that they cannot 

see in the Pacific�察�on the ocean side of the world。 Never in the solitude of 

the   blue   water�察  �never   between   the   Cape   of   Good   Hope   and   Cape   Horn�察�

never between the Islands and the West�察�has the seaman seen anything but 

a little circle of sea。       The Ancient Mariner�察�when he was alone�察�did but 

drift through a thousand narrow solitudes。               The sailor has nothing but his 

mast�察 �indeed。       And   but  for his   mast   he   would be isolated in   as   small   a 

world as that of a traveller through the plains。 

     Round the plains the horizon lies with folded wings。                  It keeps them so 

perpetually for man�察�and opens them only for the bird�察�replying to flight 

with flight。 

     A   close   circlet   of   waves   is   the   sailor's   famous   offing。    His   offing 

hardly   deserves       the  name     of  horizon。     To    hear   him   you    might    think 

something of his offing�察�but you do not so when you sit down in the centre 

of it。 

     As the upspringing of all things at your going up the heights�察�so steady�察�

so swift�察�is the subsidence at your descent。              The further sea lies away�察�hill 

folds    down     behind    hill。  The     whole    upstanding      world�察   �with   its  looks 

serene and alert�察�its distant replies�察�its signals of many miles�察�its signs and 

communications of light�察�gathers down and pauses。                      This flock of birds 

which is   the mobile   landscape  wheels and   goes   to earth。               The  Cardinal 

weighs   down   the   audience   with   his   downward   hands。            Farewell   to   the 

most delicate horizon。 



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      HABITS AND CONSCIOUSNESS 



     Education might do somewhat to control the personal habits for which 

ungenerous   observant   men   are   inclined   to   dislike   one   another。      It   has 

done     little。 As    to  literature�察 �this  has   had   the  most   curiously    diverse 

influence upon the human sensitiveness to habit。                Tolstoi's perception of 

habits is keener than a child's�察�and he takes them uneasily�察�as a child does 

not。    He holds them to be the occasion�察�if not the cause�察�of hatred。              Anna 

Karenina�察  �as   she   drank   her   coffee�察  �knew   that   her   sometime   lover   was 

dreading to hear her swallow it�察�and was hating the crooking of her little 

finger as she held her cup。          It is impossible to live in a world of habits 

with such an apprehension of habits as this。 

     It is no wonder that Tolstoi denies to other men unconsciousness�察�and 

even preoccupation。         With him perception never lapses�察�and he will not 

describe a murderer as rapt away by passion from the details of the room 

and   the   observation     of   himself�察 �nor   will  he   represent   a   theologian   as 

failingeven while he thinks out and decides the question of his faithto 

note   the   things   that   arrest   his   present   and   unclouded   eyes。 No   habits 

would dare to live under those glances。           They must die of dismay。 

     Tolstoi    sees   everything     that  is  within    sight。   That     he   sees   this 

multitude of things with invincible simplicity is what proves him an artist�察�

nevertheless�察�for such perception as his there is no peace。 For when it is 

not the trivialities of other men's habits but the actualities of his own mind 

that he follows without rest�察�for him there is no possible peace but sleep。 

To him�察�more than to all others�察�it has been said�察 �Watch� ─                 �There is no 

relapse�察�there is no respite but sleep or death。 

     To such a mind every night must come with an overwhelming change�察�

a   release   too   great  for  gratitude。    What     a  falling   to  sleep�   �What      a 

manumission�察       �what   an  absolution�     �Consciousness        and   conscience     set 

free from the exacted instant replies of the unrelapsing day。                 And at the 

awakening all is ready yet once more�察�and apprehension begins again�此                     �a 

perpetual presence of mind。 

     Dr。 Johnson was ;absent。;          No man of ;absent; mind is without some 



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hourly deliverance。         It is on the present mind that presses the burden of 

the present world。 



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                                   SHADOWS 



     Another      good   reason    that  we   ought    to  leave   blank�察   �unvexed�察   �and 

unencumbered with paper patterns the ceiling and walls of a simple house 

is that the plain surface may be visited by the unique designs of shadows。 

The opportunity is so fine a thing that it ought oftener to be offered to the 

light and to yonder handful of long sedges and rushes in a vase。                      Their 

slender grey design of shadows upon white walls is better than a tedious�察�

trivial�察�or anxious device from the shop。 

     The   shadow   has   all   intricacies   of   perspective   simply   translated   into 

line and intersecting curve�察�and pictorially presented to the eyes�察�not to the 

mind。      The shadow knows nothing except its flat designs。 It is single�察�it 

draws   a   decoration   that   was   never   seen   before�察  �and   will   never   be   seen 

again�察�and that�察�untouched�察�varies with the journey of the sun�察�shifts the 

interrelation of a score of delicate lines at the mere passing of time�察�though 

all the room be motionless。           Why will design insist upon its importunate 

immortality�拭      �Wiser is the drama�察�and wiser the dance�察�that do not pause 

upon   an   attitude。    But   these   walk   with   passion   or   pleasure�察  �while   the 

shadow walks with the earth。           It alters as the hours wheel。 

     Moreover�察  �while   the   habit   of   your   sunward   thoughts   is   still   flowing 

southward�察�after the winter and the spring�察�it surprises you in the sudden 

gleam of a north´westering sun。            It decks a new wall�察�it is shed by a late 

sunset through a window unvisited for a year past�察�it betrays the flitting of 

the sun into unwonted skies

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