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the voice of the city(廓偏岻蕗)-及20嫗

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reading the latest copy of Le Petit Journal�察�right side up ´ you can tell by 

the illustrations。 It is only a legend that there are waste baskets in editors' 

offices。 

     Thus is truth held in disrepute。 But in time truth and science and nature 

will adapt themselves to art。 Things will happen logically�察�and the villain 

be dis´ comfited instead of being elected to the board of directors。 But in 

the meantime fiction must not only be divorced from fact�察�but must pay 

alimony and be awarded custody of the press despatches。 

     This preamble is to warn you off the grade cross´ ing of a true story。 

Being   that�察  �it   shall   be   told   sim´   ply�察  �with   conjunctions   substituted   for 

adjectives wherever possible�察�and whatever evidences of style may appear 

in it shall be due to the linotype man。 It is a story of the literary life in a 

great city�察 �and it should   be of interest   to every  author   within a  20´  mile 

radius   of   Gosport�察  �Ind。�察  �whose   desk   holds   a   MS。   story   beginning   thus�此�

;While the cheers following his nomination were still ringing through the 

old courthouse�察�Harwood broke away from the congrat´ ulating handclasps 

of his henchmen and hurried to Judge Creswell's house to find Ida。; 

     Pettit came   up out of Alabama to   write   fiction。 The   Southern   papers 

had printed eight of his stories under an editorial caption identifying the 

author as the son of ;the gallant Major Pettingill Pettit�察�our former County 

Attorney and hero of the battle of Lookout Mountain。; 

     Pettit was a   rugged fellow�察 �with a kind   of shame´   faced culture�察  �and 



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my   good   friend。   His   father   kept   a   general   store   in   a   little   town   called 

Hosea。  Pettit   had   been   raised   in   the  pine´woods   and   broom´sedge   fields 

adjacent   thereto。   He   had   in   his   gripsack   two   manuscript   novels   of   the 

adventures in Picardy of one Gaston Laboulaye�察�Vicompte de Montrepos�察�

in the year 1329。 That's nothing。 We all do that。 And some day when we 

make a hit with the little sketch about a newsy and his lame dog�察�the editor 

prints the other one for us  or ;on us�察─�as the say´ ing is  and then  and 

then   we   have   to   get   a   big   valise   and   peddle   those   patent   air´draft   gas 

burners。 At 1。25 everybody should have 'em。 

     I took Pettit to the red´brick house which was to appear in an article 

entitled ;Literary Landmarks of Old New York�察─�some day when we got 

through with it。 He engaged a room there�察�drawing on the general store for 

his   expenses。   I   showed   New York   to   him�察  �and   he   did   not   mention   how 

much   narrower   Broadway   is   than   Lee Avenue   in   Hosea。   This   seemed   a 

good sign�察�so I put the final test。 

     ;Suppose   you   try   your   band   at   a   descriptive   arti´   cle�察─  �I   suggested�察�

;giving your impressions of New York as seen from the Brooklyn Bridge。 

The fresh point of view�察�the  ; 

     ;Don't be a fool�察─�said Pettit。 ;Let's go have some beer。 On the whole I 

rather   like   the   city。; We   discovered   and   enjoyed the   only  true   Bohemia。 

Every  day  and   night   we   repaired   to   one   of   those   palaces   of   marble   and 

glass and tilework�察�where goes on a tremendous and sounding epic of life。 

Valhalla     itself   could    not   be   more    glorious    and    sonorous。     The    classic 

marble on which we ate�察�the great�察�light´ flooded�察�vitreous front�察�adorned 

with   snow´white   scrolls�察  �the   grand   Wagnerian   din   of   clanking   cups   and 

bowls the flashing staccato of brandishing cut´ lery�察�the piercing recitative 

of the white´aproned grub´maidens at the morgue´like banquet tables�察�the 

recurrent   lied´motif   of   the   cash´register      it   was   a   gigantic�察  �triumphant 

welding of art and sound�察�a deafening�察�soul´uplifting pageant of heroic and 

em´ blematic life。 And the beans were only ten cents。 We wondered why 

our    fellow´artists     cared    to   dine   at  sad    little  tables   in  their   so´called 

Bohemian restau´ rants�察�and we shuddered lest they should seek out our 

resorts and make them conspicuous with their pres´ ence。 

     Pettit   wrote   many   stories�察  �which   the   editors   re´   turned   to   him。   He 



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wrote love stories�察�a thing I have always kept free from�察�holding the belief 

that   the   well´known   and   popular   sentiment   is   not   properly   a   matter   for 

publication�察  �but   something   to   be   privately   handled   by   the   alienists   and 

florists。 But the editors had told him that they wanted love stories�察�because 

they said the women read them。 

     Now�察�the editors are wrong about that�察�of course。 Women do not read 

the love stories   in   the   magazines。 They  read   the poker´game   stories   and 

the   recipes   for   cucumber   lotion。   The   love   stories   are   read   by   fat   cigar 

drummers and little ten´year´old girls。 I am not criticising the judgment of 

editors。 They  are   mostly  very fine   men�察  �but   a   man can be   but   one   man�察�

with   individual   opinions   and   tastes。   I   knew   two   associate   editors   of   a 

magazine who were won´ derfully alike in almost everything。 And yet one 

of them was very fond of Flaubert�察�while the other preferred gin。 

     Pettit brought me his returned manuscripts�察�and we looked them over 

together to find out why they were not accepted。 They seemed to me pretty 

fair   stories�察  �written   in   a   good   style�察  �and   ended�察  �as   they   should�察  �at   the 

bottom of the last page。 

     They were well constructed and the events were marshalled in orderly 

and logical sequence。 But I thought I detected a lack of living substance  

it was much as if I gazed at a symmetrical array of presentable clamshells 

from     which    the   succulent    and    vital  inhabitants    had    been   removed。      I 

intimated that the author might do well to get better acquainted with his 

theme。 

     ;You   sold   a   story   last   week�察─  �said   Pettit�察   �about   a   gun   fight   in   an 

Arizona mining town in which the hero drew his Colt's 。45 and shot seven 

bandits as fast as they came in the door。 Now�察�if a six´shooter could  ; 

     ;Oh�察�well�察─�said I�察 �that's different。 Arizona is a long way from New 

York。 I could have a man stabbed with a lariat or chased by a pair of chap´ 

arreras if I wanted to�察�and it wouldn't be noticed until the usual error´sharp 

from around McAdams Junction isolates the erratum and writes in to the 

pa´ pers about it。 But you are up against another proposition。 This thing 

they call love is as common around New York as it is in Sheboygan during 

the young onion season。 It may be mixed here with a little commercialism 

 they read Byron�察�but they look up Bradstreet's�察�too�察�while they're among 



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the B's�察�and Brigham also if they have time  but it's pretty much the same 

old internal disturbance every´ where。 You can fool an editor with a fake 

picture of a cowboy mounting a pony with his left hand on the saddle horn�察�

but you can't put him up a tree with a love story。 So�察�you've got to fall in 

love and then write the real thing。; 

     Pettit did。 I never knew whether he was taking my advice or whether 

be fell an accidental victim。 

     There   was   a   girl   be   had   met   at   one   of   these   studio   contrivances   ´   a 

glorious�察    �impudent�察     �lucid�察 �open´    minded      girl  with   hair   the   color   of 

Culmbacher�察  �and   a   good´natured  

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