the ways of men(繁断議返粁)-及50嫗
梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
Picture this scene to yourself�察�reader mine�察�and you will understand the
enthusiasm of the artists and writers in our clan。 It needed but little
imagination then to reconstruct the past and fancy one's self back in the
days when the ;Trancavel; held this city against the world。
Sleep that night was filled with a strange phantasmagoria of crenelated
chateaux and armored knights�察�until the bright Provencal sunlight and the
call for a hurried departure dispelled such illusions。 By noon we were far
away from Carcassonne�察�mounting the rocky slopes of the Cevennes amid
a wild and noble landscape�察�the towering cliffs of the ;Causses�察─�zebraed
by zig´zag paths�察�lay below us�察�disclosing glimpses of fertile valley and
vine´engarlanded plain。
One asks one's self in wonder why these enchanting regions are so
unknown。 EN ROUTE our companions were like children fresh from
school�察�taking haphazard meals at the local inns and clambering gayly into
any conveyance that came to hand。 As our way led us through the
Cevennes country�察�another charm gradually stole over the senses。
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;I imagine that Citheron must look like this�察─ �murmured Catulle
Mendes�察�as we stood looking down from a sun´baked eminence�察 �with the
Gulf of Corinth there where you see that gleam of water。; As he spoke he
began declaiming the passage from Sophocles's OEDIPUS THE KING
descriptive if that classic scene。
Two thousand feet below lay Ispanhac in a verdant valley�察�the River
Tarn gleaming amid the cultivated fields like a cimeter thrown on a
Turkish carpet。 Our descent was an avalanche of laughing�察 �singing
;Cadets�察─�who rolled in the fresh´cut grass and chased each other through
the ripening vineyards�察 �shouting lines from tragedies to groups of open´
mouthed farm´hands�察�and invading the tiny inns on the road with song and
tumult。 As we neared our goal its entire population�察�headed by the cure�察�
came out to meet us and offer the hospitality of the town。
In the market´place�察 �one of our number�察 �inspired by the antique
solemnity of the surroundings�察 �burst into the noble lines of Hugo's
DEVANT DIEU�察 �before which the awestruck population uncovered and
crossed themselves�察�imagining�察�doubtless�察�that it was a religious ceremony。
Another scene recurs vividly to my memory。 We were at St。 Enimie。 I
had opened my window to breathe the night air after the heat and dust of
the day and watch the moonlight on the quaint bridge at my feet。 Suddenly
from out the shadows there rose ��like sounds in a dream�� the exquisite
tone of Sylvain's voice�察�alternating with the baritone of d'Esparbes。 They
were seated at the water's edge�察�intoxicated by the beauty of the scene and
apparently oblivious of all else。
The next day was passed on the Tarn�察 �our ten little boats following
each other single file on the narrow river�察 �winding around the feet of
mighty cliffs�察 �or wandering out into sunny pasture lands where solitary
peasants�察�interrupted in their labors�察�listened in astonishment to the chorus
thundered from the passing boats�察�and waved us a welcome as we moved
by。
Space is lacking to give more than a suggestion of those days�察�passed
in every known conveyance from the antique diligence to the hissing
trolley�察�in company with men who seemed to have left their cares and their
years behind them in Paris。
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Our last stop before arriving at Beziers was at La Case�察 �where
luncheon was served in the great hall of the chateau。 Armand Sylvestre
presided at the repast�察 �his verses alternated with the singings of Emma
Calve�察 �who had come from her neighboring chateau to greet her old
friends and compatriots�察�the ;Cadets。;
As the meal terminated�察�more than one among the guests�察�I imagine�察�
felt his heart heavy with the idea that to´morrow would end this pleasant
ramble and send him back to the realities of life and the drudgery of daily
bread´winning。
The morning of the great day dawned cloudless and cool。 A laughing�察�
many´colored throng early invaded the arena�察 �the women's gay toilets
lending it some resemblance to a parterre of fantastic flowers。 Before the
bell sounded its three strokes that announced the representation�察�over ten
thousand spectators had taken their places and were studying the gigantic
stage and its four thousand yards of painted canvas。 In the foreground a
cluster of Greek palaces and temples surround a market´place�察�higher up
and further back the city walls�察�manned by costumed sentinels�察�rise against
mountains so happily painted that their outlines blend with nature's own
handiwork in the distance�察 � a worthy setting for a stately drama and the
valiant company of actors who have travelled from the capital for this
solemnity。
Three hundred hidden musicians�察 �divided into wind and chord
orchestras�察 �accompany a chorus of two hundred executants�察 �and furnish
the music for a ballet of seventy dancers。
As the third stroke dies away�察 �the Muse�察 �Mademoiselle Rabuteau�察�
enters and declaims the salutation addressed by Louis Gallet to the City of
Beziers。 At its conclusion the tragedy begins。
This is not the place to describe or criticise at length so new an attempt
at classic restoration。 The author follows the admirable fable of antiquity
with a directness and simplicity worthy of his Greek model。 The story of
Dejanira and Hercules is too familiar to be repeated here。 The hero's
infidelity and the passion of a neglected woman are related through five
acts logically and forcibly�察 �with the noble music of Saint´ Saens as a
background。
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We watch the growing affection of the demi´god for the gentle Iole。
We sympathize with jealous�察�desperate Dejanira when in a last attempt to
gain back the love of Hercules she persuades the unsuspecting Iole to offer
him a tunic steeped in Nessus's blood�察 �which Dejanira has been told by
Centaur will when warmed in the sun restore the wearer to her arms。
At the opening of the fifth act we witness the nuptial fetes。 Religious
dances and processions circle around the pyre laid for a marriage sacrifice。
Dejanira�察 �hidden in the throng�察 �watches in an agony of hope for the
miracle to be worked。
Hercules accepts the fatal garment from the hands of his bride and
calls upon the sun´god to ignite the altars。 The pyre flames�察 �the heat
warms the clinging tunic�察 �which wraps Hercules in its folds of torture。
Writhing in agony�察�he flings himself upon the burning pyramid�察�followed
by Dejanira�察�who�察�in despair�察�sees too late that she has been but a tool in
the hands of Nessus。
No feeble prose�察�no characters of black or white�察�can do justice to the
closing scenes of this performance。 The roar of the chorus�察�the thunder of
the actors' voices�察�the impression of real