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the story of mankind-及5嫗

弌傍�� the story of mankind 忖方�� 耽匈4000忖

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lest he freeze to death。 He learned how to dig holes and cover

them with branches and leaves and in these traps he caught

bears and hyenas�察�which he then killed with heavy stones and

whose skins he used as coats for himself and his family。



Next came the housing problem。 This was simple。 Many

animals were in the habit of sleeping in dark caves。 Man now

followed their example�察�drove the animals out of their warm

homes and claimed them for his own。



Even so�察�the climate was too severe for most people and

the old and the young died at a terrible rate。 Then a genius

bethought himself of the use of fire。 Once�察�while out hunting��

he had been caught in a forest´fire。 He remembered that he

had been almost roasted to death by the flames。 Thus far fire

had been an enemy。 Now it became a friend。 A dead tree

was dragged into the cave and lighted by means of smouldering

branches from a burning wood。 This turned the cave into

a cozy little room。



And then one evening a dead chicken fell into the fire。 It

was not rescued until it had been well roasted。 Man discovered

that meat tasted better when cooked and he then and there

discarded one of the old habits which he had shared with the

other animals and began to prepare his food。



In this way thousands of years passed。 Only the people

with the cleverest brains survived。 They had to struggle day

and night against cold and hunger。 They were forced to invent

tools。 They learned how to sharpen stones into axes and how

to make hammers。 They were obliged to put up large stores

of food for the endless days of the winter and they found that

clay could be made into bowls and jars and hardened in the

rays of the sun。 And so the glacial period�察�which had threatened

to destroy the human race�察�became its greatest teacher

because it forced man to use his brain。







HIEROGLYPHICS



THE EGYPTIANS INVENT THE ART OF

WRITING AND THE RECORD OF

HISTORY BEGINS





THESE earliest ancestors of ours who lived in the great

European wilderness were rapidly learning many new things。

It is safe to say that in due course of time they would have

given up the ways of savages and would have developed a

civilisation of their own。 But suddenly there came an end to

their isolation。 They were discovered。



A traveller from an unknown southland who had dared to

cross the sea and the high mountain passes had found his way

to the wild people of the European continent。 He came from

Africa。 His home was in Egypt。



The valley of the Nile had developed a high stage of civilisation

thousands of years before the people of the west had

dreamed of the possibilities of a fork or a wheel or a house。

And we shall therefore leave our great´great´grandfathers in

their caves�察�while we visit the southern and eastern shores of

the Mediterranean�察�where stood the earliest school of the

human race。



The Egyptians have taught us many things。 They were

excellent farmers。 They knew all about irrigation。 They built

temples which were afterwards copied by the Greeks and which

served as the earliest models for the churches in which we worship

nowadays。 They had invented a calendar which proved

such a useful instrument for the purpose of measuring time

that it has survived with a few changes until today。 But most

important of all�察�the Egyptians had learned how to preserve

speech for the benefit of future generations。 They had invented

the art of writing。



We are so accustomed to newspapers and books and magazines

that we take it for granted that the world has always been

able to read and write。 As a matter of fact�察�writing�察�the most

important of all inventions�察�is quite new。 Without written

documents we would be like cats and dogs�察�who can only teach

their kittens and their puppies a few simple things and who��

because they cannot write�察�possess no way in which they can

make use of the experience of those generations of cats and

dogs that have gone before。



In the first century before our era�察�when the Romans came

to Egypt�察�they found the valley full of strange little pictures

which seemed to have something to do with the history

of the country。 But the Romans were not interested in ``anything

foreign'' and did not inquire into the origin of these queer

figures which covered the walls of the temples and the walls of

the palaces and endless reams of flat sheets made out of the

papyrus reed。 The last of the Egyptian priests who had

understood the holy art of making such pictures had died several

years before。 Egypt deprived of its independence had

become a store´house filled with important historical documents

which no one could decipher and which were of no earthly use

to either man or beast。



Seventeen centuries went by and Egypt remained a land

of mystery。 But in the year 1798 a French general by the

name of Bonaparte happened to visit eastern Africa to prepare

for an attack upon the British Indian Colonies。 He did

not get beyond the Nile�察�and his campaign was a failure。 But��

quite accidentally�察�the famous French expedition solved the

problem of the ancient Egyptian picture´language。



One day a young French officer�察�much bored by the dreary

life of his little fortress on the Rosetta river ��a mouth of the

Nile�� decided to spend a few idle hours rummaging among

the ruins of the Nile Delta。 And behold� �he found a stone

which greatly puzzled him。 Like everything else in Egypt

it was covered with little figures。 But this particular slab of

black basalt was different from anything that had ever been

discovered。 It carried three inscriptions。 One of these was

in Greek。 The Greek language was known。 ``All that is

necessary��'' so he reasoned�察 �`is to compare the Greek text with

the Egyptian figures�察�and they will at once tell their secrets。''



The plan sounded simple enough but it took more than

twenty years to solve the riddle。 In the year 1802 a French

professor by the name of Champollion began to compare the

Greek and the Egyptian texts of the famous Rosetta stone。 In

the year 1823 he announced that he had discovered the meaning

of fourteen little figures。 A short time later he died from

overwork�察�but the main principles of Egyptian writing had

become known。 Today the story of the valley of the Nile is

better known to us than the story of the Mississippi River。

We possess a written record which covers four thousand years

of chronicled history。



As the ancient Egyptian hieroglyphics ��the word means

``sacred writing''�� have played such a very great role in

history�察。�a few of them in modified form have even found their

way into our own alphabet�撮� you ought to know something

about the ingenious system which was used fifty centuries ago

to preserve the spoken word for the benefit of the coming

generations。



Of course�察�you know what a sign language is。 Every

Indian story of our western plains has a chapter devoted to

strange messages writter��sic�� in the form of little pictures which

tell how many buffaloes were killed and how many hunters

there were in a certain party。 As a rule it is not difficult to

understand the meaning of such messages。



Ancient Egyptian�察�however�察�was not a sign language。 The

clever people of the Nile had passed beyond that stage long

before。 Their pictures meant a great deal more than the object

which they represented�察�as I shall try to explain to you now。



Suppose that you were Champollion�察�and that you were

examining a stack of papyrus sheets�察�all covered with hieroglyphics。

Suddenly you came across a picture of a man with

a saw。 ``Very well��'' you would say�察 �`that means of course that

a farmer went out to cut down a tree。'' Then you take another

papyrus。 It tells the story of a queen who had died at the age

of eighty´two。 In the midst of a sentence appears the picture

of the man with the saw。 Queens of eighty´two do not handle

saws。 The picture therefore must mean something else。 

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