castle rackrent(性針戴蒙韻)-及9嫗
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!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
The second edition of CASTLE RACKRENT came out with Miss
Edgeworth's name to it in 1811。 'Its success was so triumphant��' Mrs。
Edgeworth writes��'that some oneI heard his name at the time�察�but do not
now remember itnot only asserted that he was the author�察 �but actually
took the trouble to copy out several chapters with corrections and erasions
as if it was his original manuscript。'
It was when Miss Edgeworth first came to Ireland��so she tells one of
her correspondents��that she met the original Thady of CASTLE
RACKRENT。 His character struck her very much�察 �and the story came
into her mind。 She purposely added to the agent's age so as to give time
for the events to happen。
Honest Thady tells the story�察�you can almost hear his voice�察�and see
him as he stands�此 �'I wear a long greatcoat winter and summer�察 �which is
very handy�察�as I never put my arms into the sleeves�察�they are as good as
new�察�though come Holantide next I've had it these seven years�此�it holds on
by a single button round my neck�察 �cloak fashion。 To look at me�察 �you
would hardly think ;Poor Thady; was the father of Attorney Quirk�察�he is a
high gentleman�察�and never minds what poor Thady says�察�and having better
than fifteen hundred a year landed estate�察�looks down upon honest Thady�察�
but I wash my hands of his doings�察�and as I have lived�察�so will I die�察�true
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and loyal to the family。 The family of Rackrents is�察�I am proud to say�察�
one of the most ancient in the kingdom。' And then he gives the history of
the Rackrents�察�beginning with Sir Patrick�察�who could sit out the best man
in Ireland�察 �let alone the three kingdoms itself�察 �and who fitted up the
chicken´house to accommodate his friends when they honoured him
unexpectedly with their company。 There was 'such a fine whillaluh at Sir
Patrick's funeral�察�you might have heard it to the farthest end of the county�察�
and happy the man who could get but a sight of the hearse。' Then came
Sir Murtagh�察�who used to boast that he had a law´suit for every letter in
the alphabet。 'He dug up a fairy´mount against my advice��' says Thady�察�
'and had no luck afterwards。 。 。 。 Sir Murtagh in his passion broke a blood´
vessel�察�and all the law in the land could do nothing in that case。 。 。 。 My
lady had a fine jointure settled upon her�察 �and took herself away�察 �to the
great joy of the tenantry。 I never said anything one way or the other��'
says Thady�察�'whilst she was part of the family�察�but got up to see her go at
three o'clock in the morning。 ;It's a fine morning�察 �honest Thady�察─ �says
she�察 �good´bye to ye�察─�and into the carriage she stepped�察�without a word
more�察�good or bad�察�or even half´a´crown�察�but I made my bow�察�and stood to
see her safe out of sight for the sake of the family。'
How marvellously vivid it all is� �every word tells as the generations
pass before us。 The very spirit of romantic Irish fidelity is incarnate in
Thady。 Jason Quirk represents the feline element�察�which also belongs to
our extraordinary Celtic race。 The little volume contains the history of a
nation。 It is a masterpiece which Miss Edgeworth has never surpassed。
It is almost provoking to have so many details of other and less interesting
stories�察 �such as EARLY LESSONS�察 �A KNAPSACK�察 �THE PRUSSIAN
VASE�察�etc。�察�and to hear so little of these two books by which she will be
best remembered。
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AUTHOR'S PREFACE
The Prevailing taste of the public for anecdote has been censured and
ridiculed by critics who aspire to the character of superior wisdom�察�but if
we consider it in a proper point of view�察�this taste is an incontestable proof
of the good sense and profoundly philosophic temper of the present times。
Of the numbers who study�察�or at least who read history�察�how few derive
any advantage from their labours� �The heroes of history are so decked
out by the fine fancy of the professed historian�察�they talk in such measured
prose�察�and act from such sublime or such diabolical motives�察�that few have
sufficient taste�察 �wickedness�察 �or heroism�察 �to sympathise in their fate。
Besides�察�there is much uncertainty even in the best authenticated ancient
or modern histories�察�and that love of truth�察�which in some minds is innate
and immutable�察�necessarily leads to a love of secret memoirs and private
anecdotes。 We cannot judge either of the feelings or of the characters of
men with perfect accuracy�察�from their actions or their appearance in public�察�
it is from their careless conversations�察 �their half´finished sentences�察 �that
we may hope with the greatest probability of success to discover their real
characters。 The life of a great or of a little man written by himself�察�the
familiar letters�察�the diary of any individual published by his friends or by
his enemies�察�after his decease�察�are esteemed important literary curiosities。
We are surely justified�察 �in this eager desire�察 �to collect the most minute
facts relative to the domestic lives�察 �not only of the great and good�察 �but
even of the worthless and insignificant�察�since it is only by a comparison of
their actual happiness or misery in the privacy of domestic life that we can
form a just estimate of the real reward of virtue�察�or the real punishment of
vice。 That the great are not as happy as they seem�察 �that the external
circumstances of fortune and rank do not constitute felicity�察�is asserted by
every moralist�此 �the historian can seldom�察 �consistently with his dignity�察�
pause to illustrate this truth�察�it is therefore to the biographer we must have
recourse。 After we have beheld splendid characters playing their parts on
the great theatre of the world�察�with all the advantages of stage effect and
decoration�察 �we anxiously beg to be admitted behind the scenes�察 �that we
may take a nearer view of the actors and actresses。
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Some may perhaps imagine that the value of biography depends upon
the judgment and taste of the biographer�察 �but on the contrary it may be
maintained�察�that the merits of a biographer are inversely as the extent of
his intellectual powers and of his literary talents。 A plain unvarnished
tale is preferable to the most highly ornamented narrative。 Where we see
that a man has the power�察�we may naturally suspect that he has the will to
deceive us�察 �and those who are used to literary manufacture know how
much is often sacrificed to the rounding of a period�察�or the pointing of an
antithesis。
That the ignorant may have their prejudices as well as the learned
cannot be disputed�察�but we see and despise vulgar errors�此�we never bow to
the authority of him who has no great name to sanction his absurdities。
The partiality which blinds a biographer to the defects of his hero�察 �in
proportion as it is gross�察�ceases to be dangerous�察�but if it be concealed by
the appearance of candour�察�which men of great abilities best know how to
assu